Non-Cinema

Global Digital Film-making and the Multitude

Nonfiction, Entertainment, Performing Arts, Film, Art & Architecture, General Art
Cover of the book Non-Cinema by William Brown, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: William Brown ISBN: 9781501327278
Publisher: Bloomsbury Publishing Publication: July 12, 2018
Imprint: Bloomsbury Academic Language: English
Author: William Brown
ISBN: 9781501327278
Publisher: Bloomsbury Publishing
Publication: July 12, 2018
Imprint: Bloomsbury Academic
Language: English

Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded – the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema."

Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded – the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema."

Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.

More books from Bloomsbury Publishing

Cover of the book EU Civil Justice by William Brown
Cover of the book The Royal Babysitters by William Brown
Cover of the book Bowling by William Brown
Cover of the book Food by William Brown
Cover of the book Playing with the Past by William Brown
Cover of the book Process and Procedure in EU Administration by William Brown
Cover of the book Towards an Epistemology of Ruptures by William Brown
Cover of the book Criminal Liability of Managers in Europe by William Brown
Cover of the book USN Carriers vs IJN Carriers by William Brown
Cover of the book Feminist Film Theory and Pretty Woman by William Brown
Cover of the book Sissi’s World by William Brown
Cover of the book Before We Sleep by William Brown
Cover of the book The Walworth Beauty by William Brown
Cover of the book Air and Sea Power in World War I by William Brown
Cover of the book The Wombles Go round the World by William Brown
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy