Off the Page

Screenwriting in the Era of Media Convergence

Nonfiction, Entertainment, Performing Arts, Television, Screenwriting
Cover of the book Off the Page by Daniel Bernardi, Julian Hoxter, University of California Press
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Author: Daniel Bernardi, Julian Hoxter ISBN: 9780520961043
Publisher: University of California Press Publication: September 12, 2017
Imprint: University of California Press Language: English
Author: Daniel Bernardi, Julian Hoxter
ISBN: 9780520961043
Publisher: University of California Press
Publication: September 12, 2017
Imprint: University of California Press
Language: English

Off the Page examines the business and craft of screenwriting in the era of media convergence. Daniel Bernardi and Julian Hoxter use the recent history of screenwriting labor coupled with close analysis of scripts in the context of the screenwriting paraindustry—from “how to write a winning script” books to screenwriting software—to explore the state of screenwriting today. They address the conglomerate studios making tentpole movies, expanded television, Indiewood, independent animation, microbudget scripting, the video games industry, and online content creation. Designed for students, producers, and writers who want to understand what studios want and why they want it, this book also examines how scripting is developing in the convergent media, beneath and beyond the Hollywood tentpole. By addressing specific genres across a wide range of media, this essential volume sets the standard for anyone in the expanded screenwriting industry and the scholars that study it.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Off the Page examines the business and craft of screenwriting in the era of media convergence. Daniel Bernardi and Julian Hoxter use the recent history of screenwriting labor coupled with close analysis of scripts in the context of the screenwriting paraindustry—from “how to write a winning script” books to screenwriting software—to explore the state of screenwriting today. They address the conglomerate studios making tentpole movies, expanded television, Indiewood, independent animation, microbudget scripting, the video games industry, and online content creation. Designed for students, producers, and writers who want to understand what studios want and why they want it, this book also examines how scripting is developing in the convergent media, beneath and beyond the Hollywood tentpole. By addressing specific genres across a wide range of media, this essential volume sets the standard for anyone in the expanded screenwriting industry and the scholars that study it.

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