'Omega Maxims & Maximum Omega' is a major project of reverse-title books even by John O'Loughlin's consistently productive and generally profound standards of literary production, and brings his philosophizing, in this genre, to an all-time climax, not least in respect of a deeper approach to subatomic metaphysics, or metaphysics conceived in subatomic terms, as well as with regard to the use of rising and falling diagonals, with due attention to 'particle' and 'wavicle' differentials, both of which terms he appropriated from the philosopher Arthur Koestler in the interests of his own uniquely comprehensive approach to philosophy, the product, however, of more than 'tripartite' structures, as with Koestler, since quadruplicities, or fourfold element-based structures, are central to the omega-orientated philosophy in question, an intimation of which can perhaps be gleaned from an example of the author's own artwork which features on the cover and suggests both British and Irish dimensions.
'Omega Maxims & Maximum Omega' is a major project of reverse-title books even by John O'Loughlin's consistently productive and generally profound standards of literary production, and brings his philosophizing, in this genre, to an all-time climax, not least in respect of a deeper approach to subatomic metaphysics, or metaphysics conceived in subatomic terms, as well as with regard to the use of rising and falling diagonals, with due attention to 'particle' and 'wavicle' differentials, both of which terms he appropriated from the philosopher Arthur Koestler in the interests of his own uniquely comprehensive approach to philosophy, the product, however, of more than 'tripartite' structures, as with Koestler, since quadruplicities, or fourfold element-based structures, are central to the omega-orientated philosophy in question, an intimation of which can perhaps be gleaned from an example of the author's own artwork which features on the cover and suggests both British and Irish dimensions.