On Art, Artists, Latin America, and Other Utopias

Nonfiction, Art & Architecture, General Art, Art History, American
Cover of the book On Art, Artists, Latin America, and Other Utopias by Luis Camnitzer, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Luis Camnitzer ISBN: 9780292783492
Publisher: University of Texas Press Publication: January 1, 2010
Imprint: University of Texas Press Language: English
Author: Luis Camnitzer
ISBN: 9780292783492
Publisher: University of Texas Press
Publication: January 1, 2010
Imprint: University of Texas Press
Language: English

Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an integral part of Camnitzer's artistic project, a way of developing an idiosyncratic art history in which to work out his own place in the picture.

This volume gathers Camnitzer's most thought-provoking essays—"texts written to make something happen," in the words of volume editor Rachel Weiss. They elaborate themes that appear persistently throughout Camnitzer's work: art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, most insistently, the possibilities for artistic agency. The theme of "translation" informs the texts in the first part of the book, with Camnitzer asking such questions as "What is Latin America, and who asks the question? Who is the artist, there and here?" The texts in the second section are more historically than geographically oriented, exploring little-known moments, works, and events that compose the legacy that Camnitzer draws on and offers to his readers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an integral part of Camnitzer's artistic project, a way of developing an idiosyncratic art history in which to work out his own place in the picture.

This volume gathers Camnitzer's most thought-provoking essays—"texts written to make something happen," in the words of volume editor Rachel Weiss. They elaborate themes that appear persistently throughout Camnitzer's work: art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, most insistently, the possibilities for artistic agency. The theme of "translation" informs the texts in the first part of the book, with Camnitzer asking such questions as "What is Latin America, and who asks the question? Who is the artist, there and here?" The texts in the second section are more historically than geographically oriented, exploring little-known moments, works, and events that compose the legacy that Camnitzer draws on and offers to his readers.

More books from University of Texas Press

Cover of the book The Brazilians by Luis Camnitzer
Cover of the book The Shaman’s Mirror by Luis Camnitzer
Cover of the book The Lancelot-Grail Cycle by Luis Camnitzer
Cover of the book Apache Reservation by Luis Camnitzer
Cover of the book Women and Alcohol in a Highland Maya Town by Luis Camnitzer
Cover of the book Lexikon of the Hispanic Baroque by Luis Camnitzer
Cover of the book Poetics of Change by Luis Camnitzer
Cover of the book Platero and I by Luis Camnitzer
Cover of the book Freddie Steinmark by Luis Camnitzer
Cover of the book Monumentality in Etruscan and Early Roman Architecture by Luis Camnitzer
Cover of the book Obliging Need by Luis Camnitzer
Cover of the book Lizards on the Mantel, Burros at the Door by Luis Camnitzer
Cover of the book Desert Terroir by Luis Camnitzer
Cover of the book The Swimming Holes of Texas by Luis Camnitzer
Cover of the book Cinema, Slavery, and Brazilian Nationalism by Luis Camnitzer
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy