On the Real Side

A History of African American Comedy

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, African-American Studies, Entertainment, Humour & Comedy, General Humour
Cover of the book On the Real Side by Mel Watkins, Chicago Review Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mel Watkins ISBN: 9781569767603
Publisher: Chicago Review Press Publication: May 1, 1999
Imprint: Chicago Review Press Language: English
Author: Mel Watkins
ISBN: 9781569767603
Publisher: Chicago Review Press
Publication: May 1, 1999
Imprint: Chicago Review Press
Language: English

This comprehensive history of black humor sets it in the context of American popular culture. Blackface minstrelsy, Stepin Fetchit, and the Amos ’n’ Andy show presented a distorted picture of African Americans; this book contrasts this image with the authentic underground humor of African Americans found in folktales, race records, and all-black shows and films. After generations of stereotypes, the underground humor finally emerged before the American public with Richard Pryor in the 1970s. But Pryor was not the first popular comic to present authentically black humor. Watkins offers surprising reassessments of such seminal figures as Fetchit, Bert Williams, Moms Mabley, and Redd Foxx, looking at how they paved the way for contemporary comics such as Whoopi Goldberg, Eddie Murphy, and Bill Cosby.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This comprehensive history of black humor sets it in the context of American popular culture. Blackface minstrelsy, Stepin Fetchit, and the Amos ’n’ Andy show presented a distorted picture of African Americans; this book contrasts this image with the authentic underground humor of African Americans found in folktales, race records, and all-black shows and films. After generations of stereotypes, the underground humor finally emerged before the American public with Richard Pryor in the 1970s. But Pryor was not the first popular comic to present authentically black humor. Watkins offers surprising reassessments of such seminal figures as Fetchit, Bert Williams, Moms Mabley, and Redd Foxx, looking at how they paved the way for contemporary comics such as Whoopi Goldberg, Eddie Murphy, and Bill Cosby.

More books from Chicago Review Press

Cover of the book La Belle Créole by Mel Watkins
Cover of the book Flicker by Mel Watkins
Cover of the book Rainbow Warrior by Mel Watkins
Cover of the book Celtic Myth and Arthurian Romance by Mel Watkins
Cover of the book The Film That Changed My Life by Mel Watkins
Cover of the book How to Rent a Negro by Mel Watkins
Cover of the book Seized by the Sun by Mel Watkins
Cover of the book Ticked by Mel Watkins
Cover of the book Movie Wars by Mel Watkins
Cover of the book Pandora's DNA by Mel Watkins
Cover of the book Murder in Baker Company by Mel Watkins
Cover of the book Electronics for Artists by Mel Watkins
Cover of the book Buck Owens by Mel Watkins
Cover of the book Leper Spy by Mel Watkins
Cover of the book The Voice Book by Mel Watkins
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy