Once Upon a Time in Papunya

Nonfiction, Art & Architecture, General Art, Art History
Cover of the book Once Upon a Time in Papunya by Vivien Johnson, University of New South Wales Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Vivien Johnson ISBN: 9781742240138
Publisher: University of New South Wales Press Publication: December 1, 2010
Imprint: University of New South Wales Press Language: English
Author: Vivien Johnson
ISBN: 9781742240138
Publisher: University of New South Wales Press
Publication: December 1, 2010
Imprint: University of New South Wales Press
Language: English

Part art history, part detective story, this gripping insider’s account of the Papunya art movement-which was centered around the 1,000 small, painted panels created at the remote northern territory Aboriginal settlement of Papunya during 1971 and 1972-goes beyond a mere discussion of the astronomical auction prices in the late 1990s that first drew many people’s attention to these pieces. Celebrating Australian art history, this study explores the background of the artists themselves as well as restoring the boards’ historical and cultural significance as the first inscriptions of the religious beliefs and sacred visual language of the Western Desert peoples. It additionally looks at the controversies that surrounded the paintings at the time of their creation, the role of teacher Geoffrey Bardon, the depiction of sacred imagery, what they mean to the artists’ descendants, and the distant worlds of art auctions and international exhibitions-telling the larger story of Aboriginal art in Australia and beyond.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Part art history, part detective story, this gripping insider’s account of the Papunya art movement-which was centered around the 1,000 small, painted panels created at the remote northern territory Aboriginal settlement of Papunya during 1971 and 1972-goes beyond a mere discussion of the astronomical auction prices in the late 1990s that first drew many people’s attention to these pieces. Celebrating Australian art history, this study explores the background of the artists themselves as well as restoring the boards’ historical and cultural significance as the first inscriptions of the religious beliefs and sacred visual language of the Western Desert peoples. It additionally looks at the controversies that surrounded the paintings at the time of their creation, the role of teacher Geoffrey Bardon, the depiction of sacred imagery, what they mean to the artists’ descendants, and the distant worlds of art auctions and international exhibitions-telling the larger story of Aboriginal art in Australia and beyond.

More books from University of New South Wales Press

Cover of the book Refugees by Vivien Johnson
Cover of the book All That's Left by Vivien Johnson
Cover of the book Indigenous and Other Australians since 1901 by Vivien Johnson
Cover of the book Digging Up a Past by Vivien Johnson
Cover of the book Key Concepts in Military Ethics by Vivien Johnson
Cover of the book The Best Australian Science Writing 2012 by Vivien Johnson
Cover of the book Shark Tracker by Vivien Johnson
Cover of the book An Australian Band of Brothers by Vivien Johnson
Cover of the book Populism Now! by Vivien Johnson
Cover of the book Mahabharata in Polyester by Vivien Johnson
Cover of the book Trading Nation by Vivien Johnson
Cover of the book Forgotten War by Vivien Johnson
Cover of the book Ethics Under Fire by Vivien Johnson
Cover of the book Beautiful Balts by Vivien Johnson
Cover of the book Intervention by Vivien Johnson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy