Opera Acts

Singers and Performance in the Late Nineteenth Century

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book Opera Acts by Karen Henson, Cambridge University Press
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Author: Karen Henson ISBN: 9781316188668
Publisher: Cambridge University Press Publication: January 15, 2015
Imprint: Cambridge University Press Language: English
Author: Karen Henson
ISBN: 9781316188668
Publisher: Cambridge University Press
Publication: January 15, 2015
Imprint: Cambridge University Press
Language: English

Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and '90s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and '90s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.

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