Oscar Micheaux and His Circle

African-American Filmmaking and Race Cinema of the Silent Era

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Oscar Micheaux and His Circle by , Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780253021557
Publisher: Indiana University Press Publication: March 28, 2016
Imprint: Indiana University Press Language: English
Author:
ISBN: 9780253021557
Publisher: Indiana University Press
Publication: March 28, 2016
Imprint: Indiana University Press
Language: English

Oscar Micheaux—the most prolific African American filmmaker to date and a filmmaking giant of the silent period—has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux’s surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Oscar Micheaux—the most prolific African American filmmaker to date and a filmmaking giant of the silent period—has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux’s surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs.

More books from Indiana University Press

Cover of the book Transition 112 by
Cover of the book Labor Disorders in Neoliberal Italy by
Cover of the book Faked in China by
Cover of the book The Future of Continental Philosophy of Religion by
Cover of the book Being Lucky by
Cover of the book Global Rome by
Cover of the book Geopolitics and the Quest for Dominance by
Cover of the book Between Slavery and Freedom by
Cover of the book Earth Works by
Cover of the book The First Book of Jewish Jokes by
Cover of the book Early Cinema in Asia by
Cover of the book The Death of Character by
Cover of the book Salvation and Suicide by
Cover of the book Islands in the Cosmos by
Cover of the book The Contemplative Mind in the Scholarship of Teaching and Learning by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy