Painting and Drawing the Head

Nonfiction, Art & Architecture, General Art, Art Technique, Drawing, Home & Garden, Crafts & Hobbies
Cover of the book Painting and Drawing the Head by Daniel Shadbolt, Crowood
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Author: Daniel Shadbolt ISBN: 9781785001642
Publisher: Crowood Publication: July 31, 2016
Imprint: Crowood Language: English
Author: Daniel Shadbolt
ISBN: 9781785001642
Publisher: Crowood
Publication: July 31, 2016
Imprint: Crowood
Language: English

Painting and Drawing the Head combines technical instruction, art history references and thoughts on the day-to-day practice of painting the head from life. The rich text, supported by over 100 paintings, gives a thoughtful account of the process of capturing a likeness. After introducing materials, principles and ideas, it follows the course of painting a head in five sittings, providing unique insight and practical comment throughout: from the choice of ground for the picture, through the set-up, the structure of the sessions, guidance on how to compose and what palette to use, all the way to the later stages of developing a portrait over time. There are equipment notes about what to paint on and what to paint with; the importance of looking, and training your eyes; advice on tone, colour, perspective and composition; photographs to explain lighting decisions and set-ups; and notes on painting a self-portrait. Aimed at all artists, particularly portrait painters, and superbly illustrated with 265 colour photographs that explain lighting decisions and set-ups.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Painting and Drawing the Head combines technical instruction, art history references and thoughts on the day-to-day practice of painting the head from life. The rich text, supported by over 100 paintings, gives a thoughtful account of the process of capturing a likeness. After introducing materials, principles and ideas, it follows the course of painting a head in five sittings, providing unique insight and practical comment throughout: from the choice of ground for the picture, through the set-up, the structure of the sessions, guidance on how to compose and what palette to use, all the way to the later stages of developing a portrait over time. There are equipment notes about what to paint on and what to paint with; the importance of looking, and training your eyes; advice on tone, colour, perspective and composition; photographs to explain lighting decisions and set-ups; and notes on painting a self-portrait. Aimed at all artists, particularly portrait painters, and superbly illustrated with 265 colour photographs that explain lighting decisions and set-ups.

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