Palimpsestic Memory

The Holocaust and Colonialism in French and Francophone Fiction and Film

Nonfiction, Reference & Language, French Language, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Palimpsestic Memory by Max Silverman, Berghahn Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Max Silverman ISBN: 9780857458841
Publisher: Berghahn Books Publication: February 1, 2013
Imprint: Berghahn Books Language: English
Author: Max Silverman
ISBN: 9780857458841
Publisher: Berghahn Books
Publication: February 1, 2013
Imprint: Berghahn Books
Language: English

The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of ‘palimpsestic memory’, which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of ‘palimpsestic memory’, which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.

More books from Berghahn Books

Cover of the book Islam and Assisted Reproductive Technologies by Max Silverman
Cover of the book Environmental Anthropology Engaging Ecotopia by Max Silverman
Cover of the book Spirits and Letters by Max Silverman
Cover of the book Places of Pain by Max Silverman
Cover of the book 'For Their Own Good' by Max Silverman
Cover of the book Religion, Politics, and Globalization by Max Silverman
Cover of the book Coming of Age in Times of Uncertainty by Max Silverman
Cover of the book Vital Diplomacy by Max Silverman
Cover of the book On Retaliation by Max Silverman
Cover of the book The Nanking Atrocity, 1937-1938 by Max Silverman
Cover of the book Remembering Violence by Max Silverman
Cover of the book Roma Activism by Max Silverman
Cover of the book Final Sale in Berlin by Max Silverman
Cover of the book The Ethos of History by Max Silverman
Cover of the book Landscapes Beyond Land by Max Silverman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy