Palladio

Nonfiction, Art & Architecture, Architecture, Individual Architect, History, General Art
Cover of the book Palladio by James Ackerman, Phyllis Massar, Penguin Books Ltd
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James Ackerman, Phyllis Massar ISBN: 9780141936383
Publisher: Penguin Books Ltd Publication: July 25, 1991
Imprint: Penguin Language: English
Author: James Ackerman, Phyllis Massar
ISBN: 9780141936383
Publisher: Penguin Books Ltd
Publication: July 25, 1991
Imprint: Penguin
Language: English

Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Palladio (1508-80) combined classical restraint with constant inventiveness. In this study, Professor Ackerman sets Palladio in the context of his age - the Humanist era of Michelangelo and Raphael, Titian and Veronese - and examines each of the villas, churches and palaces in turn and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they never do justice to the intense intuitive skills of "a magician of light and colour". Indeed, as the photographs in this book reveal, Palladio was "as sensual, as skilled in visual alchemy as any Venetian painter of his time", and his countless imitators have usually captured the details, but not the essence of his style. There are buildings all the way from Philadelphia to Leningrad which bear witness to Palladio's "permanent place in the making of architecture", yet he also deserves to be seen on his own terms.

More books from Penguin Books Ltd

Cover of the book Jamie's Food Tube: The Family Cookbook by James Ackerman, Phyllis Massar
Cover of the book Language Myths by James Ackerman, Phyllis Massar
Cover of the book Gladiator: Vengeance by James Ackerman, Phyllis Massar
Cover of the book The Adolescent Country by James Ackerman, Phyllis Massar
Cover of the book The Hand of Ethelberta by James Ackerman, Phyllis Massar
Cover of the book Blue-Water Empire by James Ackerman, Phyllis Massar
Cover of the book Get in the Sea! by James Ackerman, Phyllis Massar
Cover of the book A Preparation for Death by James Ackerman, Phyllis Massar
Cover of the book Chronicles by James Ackerman, Phyllis Massar
Cover of the book Mass Psychology by James Ackerman, Phyllis Massar
Cover of the book Gunpowder Plots by James Ackerman, Phyllis Massar
Cover of the book Child of All Nations by James Ackerman, Phyllis Massar
Cover of the book The 9/11 Wars by James Ackerman, Phyllis Massar
Cover of the book Essays and Letters by James Ackerman, Phyllis Massar
Cover of the book Quit For Life by James Ackerman, Phyllis Massar
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy