Parmigianino: Drawings Colour Plates

Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Drawing, Art & Architecture, General Art
Cover of the book Parmigianino: Drawings Colour Plates by Maria Peitcheva, Maria Peitcheva
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maria Peitcheva ISBN: 9788892543553
Publisher: Maria Peitcheva Publication: January 15, 2016
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892543553
Publisher: Maria Peitcheva
Publication: January 15, 2016
Imprint:
Language: English

Girolamo Francesco Maria Mazzola (also known as Parmigianino ("the little one from Parma") was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by elongation of form. Parmigianino was also an early Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen: though the techniques of printing the copper plates require special skills, the ease with which acid, when substituted for ink, can reproduce the spontaneity of an artist's hand attracted Parmigianino, a master of elegant figure drawing. Parmigianino also designed chiaroscuro woodcuts, and although his output was small he had a considerable influence on Italian printmaking. Some of his prints were done in collaboration with Giovanni Jacopo Caraglio.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Girolamo Francesco Maria Mazzola (also known as Parmigianino ("the little one from Parma") was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by elongation of form. Parmigianino was also an early Italian etcher, a technique that was pioneered in Italy by Marcantonio Raimondi, but which appealed to draughtsmen: though the techniques of printing the copper plates require special skills, the ease with which acid, when substituted for ink, can reproduce the spontaneity of an artist's hand attracted Parmigianino, a master of elegant figure drawing. Parmigianino also designed chiaroscuro woodcuts, and although his output was small he had a considerable influence on Italian printmaking. Some of his prints were done in collaboration with Giovanni Jacopo Caraglio.

More books from Maria Peitcheva

Cover of the book Burne Jones: Drawings 151 Colour Plates by Maria Peitcheva
Cover of the book Cranach: Drawings Colour Plates by Maria Peitcheva
Cover of the book Correggio:Drawings by Maria Peitcheva
Cover of the book George Clausen: 192 Colour Plates by Maria Peitcheva
Cover of the book George Romney: 215 Plates by Maria Peitcheva
Cover of the book Theodore Steele: 154 Colour Plates by Maria Peitcheva
Cover of the book Theodore Steele Drawings: Colour Plates by Maria Peitcheva
Cover of the book Repin: 190 Colour Plates by Maria Peitcheva
Cover of the book Mary Cassatt: 260 Plates by Maria Peitcheva
Cover of the book Adolph Menzel: 185 Colour Plates by Maria Peitcheva
Cover of the book Thomas Eakins: 164 Colour Plates by Maria Peitcheva
Cover of the book Vereshchagin: 204 Colour Plates by Maria Peitcheva
Cover of the book Mikhail Vrubel: Drawings Colour Plates by Maria Peitcheva
Cover of the book Murillo: Drawings Colour Plates by Maria Peitcheva
Cover of the book Giovanni Boldini: Drawings 118 Colour Plates by Maria Peitcheva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy