Performing American Identity in Anti-Mormon Melodrama

Nonfiction, History, Modern, 19th Century, Americas, United States
Cover of the book Performing American Identity in Anti-Mormon Melodrama by Megan Sanborn Jones, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Megan Sanborn Jones ISBN: 9781135967901
Publisher: Taylor and Francis Publication: June 10, 2009
Imprint: Routledge Language: English
Author: Megan Sanborn Jones
ISBN: 9781135967901
Publisher: Taylor and Francis
Publication: June 10, 2009
Imprint: Routledge
Language: English

In the late nineteenth century, melodramas were spectacular entertainment for Americans. They were also a key forum in which elements of American culture were represented, contested, and inverted. This book focuses specifically on the construction of the Mormon villain as rapist, murderer, and Turk in anti-Mormon melodramas. These melodramas illustrated a particularly religious world-view that dominated American life and promoted the sexually conservative ideals of the cult of true womanhood. They also examined the limits of honorable violence, and suggested the whiteness of national ethnicity. In investigating the relationship between theatre, popular literature, political rhetoric, and religious fervor, Megan Sanborn Jones reveals how anti-Mormon melodramas created a space for audiences to imagine a unified American identity.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the late nineteenth century, melodramas were spectacular entertainment for Americans. They were also a key forum in which elements of American culture were represented, contested, and inverted. This book focuses specifically on the construction of the Mormon villain as rapist, murderer, and Turk in anti-Mormon melodramas. These melodramas illustrated a particularly religious world-view that dominated American life and promoted the sexually conservative ideals of the cult of true womanhood. They also examined the limits of honorable violence, and suggested the whiteness of national ethnicity. In investigating the relationship between theatre, popular literature, political rhetoric, and religious fervor, Megan Sanborn Jones reveals how anti-Mormon melodramas created a space for audiences to imagine a unified American identity.

More books from Taylor and Francis

Cover of the book Taiwan: Beyond the Economic Miracle by Megan Sanborn Jones
Cover of the book Practicing Feminism in South Korea by Megan Sanborn Jones
Cover of the book Globalization of Small Economies as a Strategic Behavior in International Business by Megan Sanborn Jones
Cover of the book Assessing Listening for Chinese English Learners by Megan Sanborn Jones
Cover of the book Landmark Essays on Rhetoric and Literature by Megan Sanborn Jones
Cover of the book Social Science Quotations by Megan Sanborn Jones
Cover of the book Museums and Public Value by Megan Sanborn Jones
Cover of the book The Child and the European Convention on Human Rights by Megan Sanborn Jones
Cover of the book Mitigating Conflict by Megan Sanborn Jones
Cover of the book Iranian Classical Music by Megan Sanborn Jones
Cover of the book Japanese Nation by Megan Sanborn Jones
Cover of the book Surrealism: Key Concepts by Megan Sanborn Jones
Cover of the book Gunpowder and Incense by Megan Sanborn Jones
Cover of the book Green Solar Cities by Megan Sanborn Jones
Cover of the book Quality Matters by Megan Sanborn Jones
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy