Performing Mexicanidad

Vendidas y Cabareteras on the Transnational Stage

Nonfiction, Social & Cultural Studies, Social Science, Gender Studies, Gay Studies, Cultural Studies, Ethnic Studies
Cover of the book Performing Mexicanidad by Laura G. Gutiérrez, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Laura G. Gutiérrez ISBN: 9780292779198
Publisher: University of Texas Press Publication: June 23, 2010
Imprint: University of Texas Press Language: English
Author: Laura G. Gutiérrez
ISBN: 9780292779198
Publisher: University of Texas Press
Publication: June 23, 2010
Imprint: University of Texas Press
Language: English

Using interdisciplinary performance studies and cultural studies frameworks, Laura G. Gutiérrez examines the cultural representation of queer sexuality in the contemporary cultural production of Mexican female and Chicana performance and visual artists. In particular, she locates the analytical lenses of feminist theory and queer theory in a central position to interrogate Mexican female dissident sexualities in transnational public culture.

This is the first book-length study to wed performance studies and queer theory in examining the performative/performance work of important contemporary Mexicana and Chicana cultural workers. It proposes that the creations of several important artists—Chicana visual artist Alma López; the Mexican political cabareteras Astrid Hadad, Jesusa Rodríguez, Liliana Felipe, and Regina Orozco; the Chicana performance artist Nao Bustamante; and the Mexican video artist Ximena Cuevas—unsettle heterosexual national culture. In doing so, they are not only challenging heterosexist and nationalist discourses head-on, but are also participating in the construction of a queer world-making project. Treating the notion of dis-comfort as a productive category in these projects advances feminist and queer theories by offering an insightful critical movement suggesting that queer worlds are simultaneously spaces of desire, fear, and hope.

Gutiérrez demonstrates how arenas formerly closed to female performers are now providing both an artistic outlet and a powerful political tool that crosses not only geographic borders but social, sexual, political, and class boundaries as well, and deconstructs the relationships among media, hierarchies of power, and the cultures of privilege.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Using interdisciplinary performance studies and cultural studies frameworks, Laura G. Gutiérrez examines the cultural representation of queer sexuality in the contemporary cultural production of Mexican female and Chicana performance and visual artists. In particular, she locates the analytical lenses of feminist theory and queer theory in a central position to interrogate Mexican female dissident sexualities in transnational public culture.

This is the first book-length study to wed performance studies and queer theory in examining the performative/performance work of important contemporary Mexicana and Chicana cultural workers. It proposes that the creations of several important artists—Chicana visual artist Alma López; the Mexican political cabareteras Astrid Hadad, Jesusa Rodríguez, Liliana Felipe, and Regina Orozco; the Chicana performance artist Nao Bustamante; and the Mexican video artist Ximena Cuevas—unsettle heterosexual national culture. In doing so, they are not only challenging heterosexist and nationalist discourses head-on, but are also participating in the construction of a queer world-making project. Treating the notion of dis-comfort as a productive category in these projects advances feminist and queer theories by offering an insightful critical movement suggesting that queer worlds are simultaneously spaces of desire, fear, and hope.

Gutiérrez demonstrates how arenas formerly closed to female performers are now providing both an artistic outlet and a powerful political tool that crosses not only geographic borders but social, sexual, political, and class boundaries as well, and deconstructs the relationships among media, hierarchies of power, and the cultures of privilege.

More books from University of Texas Press

Cover of the book Western Window in the Arab World by Laura G. Gutiérrez
Cover of the book The Capitalist and the Critic by Laura G. Gutiérrez
Cover of the book Telling Stories, Writing Songs by Laura G. Gutiérrez
Cover of the book David Lynch Swerves by Laura G. Gutiérrez
Cover of the book Colonialism and Christianity in Mandate Palestine by Laura G. Gutiérrez
Cover of the book Official Guide to Texas State Parks and Historic Sites by Laura G. Gutiérrez
Cover of the book Beyond Machismo by Laura G. Gutiérrez
Cover of the book The Modernist Movement in Brazil by Laura G. Gutiérrez
Cover of the book Rainforest Cowboys by Laura G. Gutiérrez
Cover of the book Barbara Jordan by Laura G. Gutiérrez
Cover of the book Contesting Trade in Central America by Laura G. Gutiérrez
Cover of the book Demosthenes, Speeches 18 and 19 by Laura G. Gutiérrez
Cover of the book Black Space by Laura G. Gutiérrez
Cover of the book Isocrates II by Laura G. Gutiérrez
Cover of the book Painting Texas History to 1900 by Laura G. Gutiérrez
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy