Performing Race and Torture on the Early Modern Stage

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Entertainment, Performing Arts
Cover of the book Performing Race and Torture on the Early Modern Stage by Ayanna Thompson, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ayanna Thompson ISBN: 9781135908546
Publisher: Taylor and Francis Publication: September 13, 2013
Imprint: Routledge Language: English
Author: Ayanna Thompson
ISBN: 9781135908546
Publisher: Taylor and Francis
Publication: September 13, 2013
Imprint: Routledge
Language: English

Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Performing Race and Torture on the Early Modern Stage provides the first sustained reading of Restoration plays through a performance theory lens. This approach shows that an analysis of the conjoined performances of torture and race not only reveals the early modern interest in the nature of racial identity, but also how race was initially coded in a paradoxical fashion as both essentially fixed and socially constructed. An examination of scenes of torture provides the most effective way to unearth these seemingly contradictory representations of race because depictions of torture often interrogate the incongruous desire to substitute the visible and manipulable materiality of the body for the more illusive performative nature of identity. In turn, Performing Race and Torture on the Early Modern Stage challenges the long-standing assumption that early modern conceptions of race were radically different in their fluidity from post-Enlightenment ones by demonstrating how many of the debates we continue to have about the nature of racial identity were engendered by these seventeenth-century performances.

More books from Taylor and Francis

Cover of the book Blacks, Mulattos, and the Dominican Nation by Ayanna Thompson
Cover of the book Art, Enterprise and Ethics: Essays on the Life and Work of William Morris by Ayanna Thompson
Cover of the book The Sweat of Their Brow: A History of Work in Latin America by Ayanna Thompson
Cover of the book Power Games by Ayanna Thompson
Cover of the book Technology and Students with Special Educational Needs by Ayanna Thompson
Cover of the book Diaries Of The Court Ladies Of by Ayanna Thompson
Cover of the book Rituals and Traditional Events in the Modern World by Ayanna Thompson
Cover of the book Challenging the Innovation Paradigm by Ayanna Thompson
Cover of the book Oil In The World Economy by Ayanna Thompson
Cover of the book Britain and Japan Vol II by Ayanna Thompson
Cover of the book Geographical Information Systems and Computer Cartography by Ayanna Thompson
Cover of the book Japan 1868-1945 by Ayanna Thompson
Cover of the book Cognitive-Behavioural Therapy by Ayanna Thompson
Cover of the book Current Issues in Economic Integration by Ayanna Thompson
Cover of the book Mediated Discourse by Ayanna Thompson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy