Philosophy in Stan Brakhage's Dog Star Man

World, Metaphor, Interpretation

Nonfiction, Religion & Spirituality, Philosophy, Phenomenology, Entertainment, Film
Cover of the book Philosophy in Stan Brakhage's Dog Star Man by Alberto Baracco, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alberto Baracco ISBN: 9783030124267
Publisher: Springer International Publishing Publication: March 1, 2019
Imprint: Palgrave Pivot Language: English
Author: Alberto Baracco
ISBN: 9783030124267
Publisher: Springer International Publishing
Publication: March 1, 2019
Imprint: Palgrave Pivot
Language: English

This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.

More books from Springer International Publishing

Cover of the book Bridging the Gap between Life and Physics by Alberto Baracco
Cover of the book Abraham Lincoln and William Cullen Bryant by Alberto Baracco
Cover of the book Photovoltaics for Rural Electrification in Developing Countries by Alberto Baracco
Cover of the book Research-Based Learning: Case Studies from Maastricht University by Alberto Baracco
Cover of the book Living Under the Threat of Earthquakes by Alberto Baracco
Cover of the book Metals and the Biology and Virulence of Brucella by Alberto Baracco
Cover of the book Advances in Human Factors in Communication of Design by Alberto Baracco
Cover of the book Mining in the Asia-Pacific by Alberto Baracco
Cover of the book E-Learning, E-Education, and Online Training by Alberto Baracco
Cover of the book Postgrowth and Wellbeing by Alberto Baracco
Cover of the book Carbon by Alberto Baracco
Cover of the book Catching Up With Aristotle by Alberto Baracco
Cover of the book Grind Hardening Process by Alberto Baracco
Cover of the book Principles of Osteoimmunology by Alberto Baracco
Cover of the book Famines During the ʻLittle Ice Ageʼ (1300-1800) by Alberto Baracco
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy