Pink 2.0

Encoding Queer Cinema on the Internet

Nonfiction, Social & Cultural Studies, Social Science, Gender Studies, Gay Studies, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Pink 2.0 by Noah A. Tsika, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Noah A. Tsika ISBN: 9780253023230
Publisher: Indiana University Press Publication: October 3, 2016
Imprint: Indiana University Press Language: English
Author: Noah A. Tsika
ISBN: 9780253023230
Publisher: Indiana University Press
Publication: October 3, 2016
Imprint: Indiana University Press
Language: English

In an era where digital media converges with new technologies that allow for cropping, remixing, extracting, and pirating, a second life for traditional media appears via the internet and emerging platforms. Pink 2.0 examines the mechanisms through which the internet and associated technologies both produce and limit the intelligibility of contemporary queer cinema. Challenging conventional conceptions of the internet as an exceptionally queer medium, Noah A. Tsika explores the constraints that publishers, advertisers, and content farms place on queer cinema as a category of production, distribution, and reception. He shows how the commercial internet is increasingly characterized by the algorithmic reduction of diverse queer films to the dimensions of a highly valued white, middle-class gay masculinity—a phenomenon that he terms "Pink 2.0." Excavating a rich set of online materials through the practice of media archaeology, he demonstrates how the internet’s early and intense associations with gay male consumers (and vice versa) have not only survived the medium’s dramatic global expansion but have also shaped a series of strategies for producing and consuming queer cinema. Identifying alternatives to such corporate and technological constraints, Tsika uncovers the vibrant lives of queer cinema in the complex, contentious, and libidinous pockets of the internet where resistant forms of queer fandom thrive.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In an era where digital media converges with new technologies that allow for cropping, remixing, extracting, and pirating, a second life for traditional media appears via the internet and emerging platforms. Pink 2.0 examines the mechanisms through which the internet and associated technologies both produce and limit the intelligibility of contemporary queer cinema. Challenging conventional conceptions of the internet as an exceptionally queer medium, Noah A. Tsika explores the constraints that publishers, advertisers, and content farms place on queer cinema as a category of production, distribution, and reception. He shows how the commercial internet is increasingly characterized by the algorithmic reduction of diverse queer films to the dimensions of a highly valued white, middle-class gay masculinity—a phenomenon that he terms "Pink 2.0." Excavating a rich set of online materials through the practice of media archaeology, he demonstrates how the internet’s early and intense associations with gay male consumers (and vice versa) have not only survived the medium’s dramatic global expansion but have also shaped a series of strategies for producing and consuming queer cinema. Identifying alternatives to such corporate and technological constraints, Tsika uncovers the vibrant lives of queer cinema in the complex, contentious, and libidinous pockets of the internet where resistant forms of queer fandom thrive.

More books from Indiana University Press

Cover of the book The Spatial Humanities by Noah A. Tsika
Cover of the book A Sea without Fish by Noah A. Tsika
Cover of the book The End of the Holocaust by Noah A. Tsika
Cover of the book Tragedy in Hegel's Early Theological Writings by Noah A. Tsika
Cover of the book Toward Spatial Humanities by Noah A. Tsika
Cover of the book Toppling the Melting Pot by Noah A. Tsika
Cover of the book The Clandestine History of the Kovno Jewish Ghetto Police by Noah A. Tsika
Cover of the book Islamic Education in Africa by Noah A. Tsika
Cover of the book Les Industries lithiques taillées de Franchthi (Argolide, Grèce), Volume 1 by Noah A. Tsika
Cover of the book Tel-Aviv, the First Century by Noah A. Tsika
Cover of the book Expressive Forms in Brahms's Instrumental Music by Noah A. Tsika
Cover of the book New Critical Spaces in Transitional Justice by Noah A. Tsika
Cover of the book The Essential Caputo by Noah A. Tsika
Cover of the book An Ode to Salonika by Noah A. Tsika
Cover of the book The Accompaniment in "Unaccompanied" Bach by Noah A. Tsika
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy