Platonic Drama and its Ancient Reception

Fiction & Literature, Literary Theory & Criticism, Nonfiction, Religion & Spirituality, Philosophy, History
Cover of the book Platonic Drama and its Ancient Reception by Nikos G. Charalabopoulos, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nikos G. Charalabopoulos ISBN: 9781139334068
Publisher: Cambridge University Press Publication: April 5, 2012
Imprint: Cambridge University Press Language: English
Author: Nikos G. Charalabopoulos
ISBN: 9781139334068
Publisher: Cambridge University Press
Publication: April 5, 2012
Imprint: Cambridge University Press
Language: English

As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of a fourth dramatic genre. Support comes from a number of pieces of evidence, from a statue of Sokrates in the Academy (fourth century BC) to a mosaic of Sokrates in Mytilene (fourth century AD), which point to a centuries-old tradition of treating the dialogues in the context of performance literature and testify to the significance of the image of 'Plato the prose dramatist' for his original and subsequent audiences.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of a fourth dramatic genre. Support comes from a number of pieces of evidence, from a statue of Sokrates in the Academy (fourth century BC) to a mosaic of Sokrates in Mytilene (fourth century AD), which point to a centuries-old tradition of treating the dialogues in the context of performance literature and testify to the significance of the image of 'Plato the prose dramatist' for his original and subsequent audiences.

More books from Cambridge University Press

Cover of the book Ecosystem Functioning by Nikos G. Charalabopoulos
Cover of the book Torsors, Étale Homotopy and Applications to Rational Points by Nikos G. Charalabopoulos
Cover of the book Convexity by Nikos G. Charalabopoulos
Cover of the book Coriolanus by Nikos G. Charalabopoulos
Cover of the book Power and Global Economic Institutions by Nikos G. Charalabopoulos
Cover of the book What Logics Mean by Nikos G. Charalabopoulos
Cover of the book Plants of China by Nikos G. Charalabopoulos
Cover of the book The Civic Culture Transformed by Nikos G. Charalabopoulos
Cover of the book Luxury in Global Perspective by Nikos G. Charalabopoulos
Cover of the book Teaching Computational Creativity by Nikos G. Charalabopoulos
Cover of the book Modern Compiler Implementation in Java by Nikos G. Charalabopoulos
Cover of the book War and Moral Dissonance by Nikos G. Charalabopoulos
Cover of the book Placental Bed Disorders by Nikos G. Charalabopoulos
Cover of the book Mathematical Foundations and Biomechanics of the Digestive System by Nikos G. Charalabopoulos
Cover of the book Bioethics and Biopolitics in Israel by Nikos G. Charalabopoulos
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy