Playing across a Divide

Israeli-Palestinian Musical Encounters

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, Music Styles, Religious
Cover of the book Playing across a Divide by Benjamin Brinner, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Benjamin Brinner ISBN: 9780199884155
Publisher: Oxford University Press Publication: December 21, 2009
Imprint: Oxford University Press Language: English
Author: Benjamin Brinner
ISBN: 9780199884155
Publisher: Oxford University Press
Publication: December 21, 2009
Imprint: Oxford University Press
Language: English

In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin, and the escalation of suicide bombings and retaliations in the region. During this tumultuous time, numerous collaborations between Israeli and Palestinian musicians coalesced into a significant musical scene informed by these extremes of hope and despair on both national and personal levels. Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, as well as the collaborative projects of Israeli artist Yair Dalal, Playing Across a Divide demonstrates the possibility of musical alternatives to violent conflict and hatred in an intensely contested, multicultural environment. These artists' music drew from Western, Middle Eastern, Central Asian, and Afro-diasporic musical practices, bridging differences and finding innovative solutions to the problems inherent in combining disparate musical styles and sources. Creating this new music brought to the forefront the musicians' contrasting assumptions about sound production, melody, rhythm, hybridity, ensemble interaction, and improvisation. Author Benjamin Brinner traces the tightly interconnected field of musicians and the people and institutions that supported them as they and their music circulated within the region and along international circuits. Brinner argues that the linking of Jewish and Arab musicians' networks, the creation of new musical means of expression, and the repeated enactment of culturally productive musical alliances provide a unique model for mutually respectful and beneficial coexistence in a chronically disputed land.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the last decade of the twentieth century and on into the twenty-first, Israelis and Palestinians saw the signing of the Oslo Peace Accords, the establishment of the Palestinian Authority, the assassination of Israeli Prime Minister Yitzhak Rabin, and the escalation of suicide bombings and retaliations in the region. During this tumultuous time, numerous collaborations between Israeli and Palestinian musicians coalesced into a significant musical scene informed by these extremes of hope and despair on both national and personal levels. Following the bands Bustan Abraham and Alei Hazayit from their creation and throughout their careers, as well as the collaborative projects of Israeli artist Yair Dalal, Playing Across a Divide demonstrates the possibility of musical alternatives to violent conflict and hatred in an intensely contested, multicultural environment. These artists' music drew from Western, Middle Eastern, Central Asian, and Afro-diasporic musical practices, bridging differences and finding innovative solutions to the problems inherent in combining disparate musical styles and sources. Creating this new music brought to the forefront the musicians' contrasting assumptions about sound production, melody, rhythm, hybridity, ensemble interaction, and improvisation. Author Benjamin Brinner traces the tightly interconnected field of musicians and the people and institutions that supported them as they and their music circulated within the region and along international circuits. Brinner argues that the linking of Jewish and Arab musicians' networks, the creation of new musical means of expression, and the repeated enactment of culturally productive musical alliances provide a unique model for mutually respectful and beneficial coexistence in a chronically disputed land.

More books from Oxford University Press

Cover of the book Beer:Tap into the Art and Science of Brewing by Benjamin Brinner
Cover of the book Cyber War Will Not Take Place by Benjamin Brinner
Cover of the book Making Slavery History by Benjamin Brinner
Cover of the book The Psychology of the Supreme Court by Benjamin Brinner
Cover of the book Violence at the Urban Margins by Benjamin Brinner
Cover of the book Spiritual, but not Religious by Benjamin Brinner
Cover of the book Beyond Consent by Benjamin Brinner
Cover of the book Who Needs Emotions? by Benjamin Brinner
Cover of the book Meta-analysis: Oxford Bibliographies Online Research Guide by Benjamin Brinner
Cover of the book Sacred Pain by Benjamin Brinner
Cover of the book The City in Slang by Benjamin Brinner
Cover of the book Single by Chance, Mothers by Choice: How Women are Choosing Parenthood without Marriage and Creating the New American Family by Benjamin Brinner
Cover of the book Terror, Security, and Money:Balancing the Risks, Benefits, and Costs of Homeland Security by Benjamin Brinner
Cover of the book The Icon Project by Benjamin Brinner
Cover of the book Technology Enhanced Language Learning: connecting theory and practice - Oxford Handbooks for Language Teachers by Benjamin Brinner
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy