Playing Bit Parts in Shakespeare

Nonfiction, Entertainment, Theatre, Performing Arts
Cover of the book Playing Bit Parts in Shakespeare by Professor M M Mahood, M.M. Mahood, Taylor and Francis
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Author: Professor M M Mahood, M.M. Mahood ISBN: 9781134673643
Publisher: Taylor and Francis Publication: September 11, 2002
Imprint: Routledge Language: English
Author: Professor M M Mahood, M.M. Mahood
ISBN: 9781134673643
Publisher: Taylor and Francis
Publication: September 11, 2002
Imprint: Routledge
Language: English

Playing Bit Parts in Shakespeare is a unique survey of the small supporting roles - such as foils, feeds, attendants and messengers - that feature in Shakespeare's plays. Exploring such issues as how bit players should conduct themselves within a scene, and how blank verse or prose may be spoken to bring out the complexities of character-definition, Playing Bit Parts in Shakespeare brings a wealth of insights to the dynamic of scenic construction in Shakespeare's dramaturgy.
M.M. Mahood explores the different functions of minimal characters, from clearing the stage to epitomizing the overall effect of the comedy or tragedy, and looks at how they can extend the audience's knowledge of the social world of the play. She goes on to describe the entire corpus of minimal roles in a selection of six plays:
* Richard III
* The Tempest
* King Lear
* Antony & Cleopatra
* Measure for Measure
* Julius Caesar
This new edition comes enhanced with a new Appendix, 'Who Says What', especially designed to aid directors in making decisions about the speaking parts of the minimal characters. It also comes complete with an index of characters (including line references) as well as a detailed general index.
An invaluable aid for directors and actors in the rehearsal room, this perceptive and informative volume is equally of interest to students studying and writing about Shakespeare's plays.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Playing Bit Parts in Shakespeare is a unique survey of the small supporting roles - such as foils, feeds, attendants and messengers - that feature in Shakespeare's plays. Exploring such issues as how bit players should conduct themselves within a scene, and how blank verse or prose may be spoken to bring out the complexities of character-definition, Playing Bit Parts in Shakespeare brings a wealth of insights to the dynamic of scenic construction in Shakespeare's dramaturgy.
M.M. Mahood explores the different functions of minimal characters, from clearing the stage to epitomizing the overall effect of the comedy or tragedy, and looks at how they can extend the audience's knowledge of the social world of the play. She goes on to describe the entire corpus of minimal roles in a selection of six plays:
* Richard III
* The Tempest
* King Lear
* Antony & Cleopatra
* Measure for Measure
* Julius Caesar
This new edition comes enhanced with a new Appendix, 'Who Says What', especially designed to aid directors in making decisions about the speaking parts of the minimal characters. It also comes complete with an index of characters (including line references) as well as a detailed general index.
An invaluable aid for directors and actors in the rehearsal room, this perceptive and informative volume is equally of interest to students studying and writing about Shakespeare's plays.

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