Poetry, Modernism, and an Imperfect World

Fiction & Literature, Literary Theory & Criticism, British, Poetry
Cover of the book Poetry, Modernism, and an Imperfect World by Sean Pryor, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sean Pryor ISBN: 9781316884720
Publisher: Cambridge University Press Publication: March 6, 2017
Imprint: Cambridge University Press Language: English
Author: Sean Pryor
ISBN: 9781316884720
Publisher: Cambridge University Press
Publication: March 6, 2017
Imprint: Cambridge University Press
Language: English

Diverse modernist poems, far from advertising a capacity to prefigure utopia or save society, understand themselves to be complicit in the unhappiness and injustice of an imperfect or fallen world. Combining analysis of technical devices and aesthetic values with broader accounts of contemporary critical debates, social contexts, and political history, this book offers a formalist argument about how these poems understand themselves and their situation, and a historicist argument about the meanings of their forms. The poetry of the canonical modernists T. S. Eliot, Mina Loy, and Wallace Stevens is placed alongside the poetry of Ford Madox Ford, better known for his novels and his criticism, and the poetry of Joseph Macleod, whose work has been largely forgotten. Focusing on the years from 1914 to 1930, the book offers a new account of a crucial moment in the history of British and American modernism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Diverse modernist poems, far from advertising a capacity to prefigure utopia or save society, understand themselves to be complicit in the unhappiness and injustice of an imperfect or fallen world. Combining analysis of technical devices and aesthetic values with broader accounts of contemporary critical debates, social contexts, and political history, this book offers a formalist argument about how these poems understand themselves and their situation, and a historicist argument about the meanings of their forms. The poetry of the canonical modernists T. S. Eliot, Mina Loy, and Wallace Stevens is placed alongside the poetry of Ford Madox Ford, better known for his novels and his criticism, and the poetry of Joseph Macleod, whose work has been largely forgotten. Focusing on the years from 1914 to 1930, the book offers a new account of a crucial moment in the history of British and American modernism.

More books from Cambridge University Press

Cover of the book Stochastic Equations in Infinite Dimensions by Sean Pryor
Cover of the book Core Topics in Cardiac Anesthesia by Sean Pryor
Cover of the book Arvo Pärt's White Light by Sean Pryor
Cover of the book Cosmic Magnetic Fields by Sean Pryor
Cover of the book Freud's Rome by Sean Pryor
Cover of the book Critique of the Power of Judgment by Sean Pryor
Cover of the book Adult Hydrocephalus by Sean Pryor
Cover of the book Making Religion Safe for Democracy by Sean Pryor
Cover of the book Regulating Religion in Asia by Sean Pryor
Cover of the book Diasporas and Foreign Direct Investment in China and India by Sean Pryor
Cover of the book Kant: Religion within the Boundaries of Mere Reason by Sean Pryor
Cover of the book Harrison Birtwistle Studies by Sean Pryor
Cover of the book Uncertain Causation in Tort Law by Sean Pryor
Cover of the book Common Legal Framework for Takeover Bids in Europe: Volume 2 by Sean Pryor
Cover of the book Navigating Global Business by Sean Pryor
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy