Political Cyberformance

The Etheatre Project

Nonfiction, Computers, Advanced Computing, Virtual Reality, Entertainment, Theatre, History
Cover of the book Political Cyberformance by Dr Christina Papagiannouli, Palgrave Macmillan
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Author: Dr Christina Papagiannouli ISBN: 9781137577054
Publisher: Palgrave Macmillan Publication: December 18, 2015
Imprint: Palgrave Pivot Language: English
Author: Dr Christina Papagiannouli
ISBN: 9781137577054
Publisher: Palgrave Macmillan
Publication: December 18, 2015
Imprint: Palgrave Pivot
Language: English

Political Cyberformance: The Etheatre Project examines the use of Internet platforms as theatrical, rehearsal and performance spaces and explores the interactive and political potentials of online theatre, questioning the boundaries of these in-between spaces and the spatial experiences they cause. In a political cyberformance, the role of the director is to promote real-time discussion between the audience and the performers via a chat box and assist the active participation of spectators in the performance. In particular, I look at forms of cyber-adaptation, cyber-ethnotheatre and cyber-collaboration as directing methodologies for producing dialectical forms of political cyberformances, with reference to the productions of Cyberian Chalk Circle (2011), Merry Crisis and a Happy New Fear (2012) and Etheatre Project and Collaborators (2014), respectively.

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Political Cyberformance: The Etheatre Project examines the use of Internet platforms as theatrical, rehearsal and performance spaces and explores the interactive and political potentials of online theatre, questioning the boundaries of these in-between spaces and the spatial experiences they cause. In a political cyberformance, the role of the director is to promote real-time discussion between the audience and the performers via a chat box and assist the active participation of spectators in the performance. In particular, I look at forms of cyber-adaptation, cyber-ethnotheatre and cyber-collaboration as directing methodologies for producing dialectical forms of political cyberformances, with reference to the productions of Cyberian Chalk Circle (2011), Merry Crisis and a Happy New Fear (2012) and Etheatre Project and Collaborators (2014), respectively.

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