Political Film

The Dialectics of Third Cinema

Nonfiction, Social & Cultural Studies, Social Science
Cover of the book Political Film by Mike Wayne, Pluto Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mike Wayne ISBN: 9781783716210
Publisher: Pluto Press Publication: March 13, 2015
Imprint: Pluto Press Language: English
Author: Mike Wayne
ISBN: 9781783716210
Publisher: Pluto Press
Publication: March 13, 2015
Imprint: Pluto Press
Language: English

Third Cinema is a cinema committed to social and cultural emancipation. In this book, Mike Wayne argues that Third Cinema is absolutely central to key debates concerning contemporary film practices and cultures. As a body of films, Third Cinema expands our horizons of the medium and its possibilities. Wayne develops Third Cinema theory by exploring its dialectical relations with First Cinema (dominant,commercial) and Second Cinema (arthouse,auteur). Discussing an eclectic range of films, from Evita to Dollar Mambo, The Big Lebowski to The Journey, Amistad to Camp de Thiaroye, Political Film explores the affinities and crucial political differences between First and Third Cinema. Third Cinema’s relationship with Second Cinema is explored via the cinematic figure of the bandit (Bandit Queen, The General, Eskiya). The continuities and differences with European precursors such as Eisenstein, Vertov, Lukacs, Brecht and Walter Benjamin are also assessed. The book is a polemical call for a film criticism that is politically engaged with the life of the masses.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Third Cinema is a cinema committed to social and cultural emancipation. In this book, Mike Wayne argues that Third Cinema is absolutely central to key debates concerning contemporary film practices and cultures. As a body of films, Third Cinema expands our horizons of the medium and its possibilities. Wayne develops Third Cinema theory by exploring its dialectical relations with First Cinema (dominant,commercial) and Second Cinema (arthouse,auteur). Discussing an eclectic range of films, from Evita to Dollar Mambo, The Big Lebowski to The Journey, Amistad to Camp de Thiaroye, Political Film explores the affinities and crucial political differences between First and Third Cinema. Third Cinema’s relationship with Second Cinema is explored via the cinematic figure of the bandit (Bandit Queen, The General, Eskiya). The continuities and differences with European precursors such as Eisenstein, Vertov, Lukacs, Brecht and Walter Benjamin are also assessed. The book is a polemical call for a film criticism that is politically engaged with the life of the masses.

More books from Pluto Press

Cover of the book Cultures of Fear by Mike Wayne
Cover of the book The Making of Marx's Capital-Vol 1 by Mike Wayne
Cover of the book Israel and Palestine by Mike Wayne
Cover of the book Cut Out by Mike Wayne
Cover of the book Man-Made Woman by Mike Wayne
Cover of the book Seeds of Hate by Mike Wayne
Cover of the book A People's History of the Russian Revolution by Mike Wayne
Cover of the book A Century of Spin by Mike Wayne
Cover of the book Monitored by Mike Wayne
Cover of the book The Umma and the Dawla by Mike Wayne
Cover of the book Hobsbawm by Mike Wayne
Cover of the book Imaginary Futures by Mike Wayne
Cover of the book Change the World Without Taking Power by Mike Wayne
Cover of the book Small Places, Large Issues - Fourth Edition by Mike Wayne
Cover of the book Sound System by Mike Wayne
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy