Post-Revolution Nonfiction Film

Building the Soviet and Cuban Nations

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Post-Revolution Nonfiction Film by Joshua Malitsky, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Joshua Malitsky ISBN: 9780253007704
Publisher: Indiana University Press Publication: March 20, 2013
Imprint: Indiana University Press Language: English
Author: Joshua Malitsky
ISBN: 9780253007704
Publisher: Indiana University Press
Publication: March 20, 2013
Imprint: Indiana University Press
Language: English

In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society as a whole. Post-Revolution Nonfiction Film not only presents a critical historical view of the politics, rhetoric, and aesthetics shaping post-revolution Soviet and Cuban culture but also provides a framework for understanding the larger political and cultural implications of documentary and nonfiction film.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society as a whole. Post-Revolution Nonfiction Film not only presents a critical historical view of the politics, rhetoric, and aesthetics shaping post-revolution Soviet and Cuban culture but also provides a framework for understanding the larger political and cultural implications of documentary and nonfiction film.

More books from Indiana University Press

Cover of the book UFOs, Chemtrails, and Aliens by Joshua Malitsky
Cover of the book Père Marie-Benoît and Jewish Rescue by Joshua Malitsky
Cover of the book Black Lives Matter and Music by Joshua Malitsky
Cover of the book 9/11 and the Visual Culture of Disaster by Joshua Malitsky
Cover of the book A Dance of Assassins by Joshua Malitsky
Cover of the book The Contemplative Mind in the Scholarship of Teaching and Learning by Joshua Malitsky
Cover of the book At the Top of the Grand Staircase by Joshua Malitsky
Cover of the book The Middle East and Brazil by Joshua Malitsky
Cover of the book In Search of Jewish Community by Joshua Malitsky
Cover of the book Portraiture and Photography in Africa by Joshua Malitsky
Cover of the book The ANC's War against Apartheid by Joshua Malitsky
Cover of the book Nollywood Stars by Joshua Malitsky
Cover of the book Ponderings VII–XI by Joshua Malitsky
Cover of the book Pioneers of the Hardwood by Joshua Malitsky
Cover of the book Postcolonial Artists and Global Aesthetics by Joshua Malitsky
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy