Postethnic Narrative Criticism

Magicorealism in Oscar "Zeta" Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie

Fiction & Literature, Literary Theory & Criticism
Cover of the book Postethnic Narrative Criticism by Frederick Luis  Aldama, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Frederick Luis Aldama ISBN: 9780292784376
Publisher: University of Texas Press Publication: September 15, 2009
Imprint: University of Texas Press Language: English
Author: Frederick Luis Aldama
ISBN: 9780292784376
Publisher: University of Texas Press
Publication: September 15, 2009
Imprint: University of Texas Press
Language: English
Magical realism has become almost synonymous with Latin American fiction, but this way of representing the layered and often contradictory reality of the topsy-turvy, late-capitalist, globalizing world finds equally vivid expression in U.S. multiethnic and British postcolonial literature and film. Writers and filmmakers such as Oscar "Zeta" Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie have made brilliant use of magical realism to articulate the trauma of dislocation and the legacies of colonialism that people of color experience in the postcolonial, multiethnic world.This book seeks to redeem and refine the theory of magical realism in U.S. multiethnic and British postcolonial literature and film. Frederick Aldama engages in theoretically sophisticated readings of Ana Castillo's So Far from God, Oscar "Zeta" Acosta's Autobiography of a Brown Buffalo, Salman Rushdie's Midnight's Children, Shame, The Satanic Verses, and The Moor's Last Sigh, Julie Dash's Daughters of the Dust, and Stephen Frears and Hanif Kureishi's Sammy and Rosie Get Laid. Coining the term "magicorealism" to characterize these works, Aldama not only creates a postethnic critical methodology for enlarging the contact zone between the genres of novel, film, and autobiography, but also shatters the interpretive lens that traditionally confuses the transcription of the real world, where truth and falsity apply, with narrative modes governed by other criteria.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Magical realism has become almost synonymous with Latin American fiction, but this way of representing the layered and often contradictory reality of the topsy-turvy, late-capitalist, globalizing world finds equally vivid expression in U.S. multiethnic and British postcolonial literature and film. Writers and filmmakers such as Oscar "Zeta" Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie have made brilliant use of magical realism to articulate the trauma of dislocation and the legacies of colonialism that people of color experience in the postcolonial, multiethnic world.This book seeks to redeem and refine the theory of magical realism in U.S. multiethnic and British postcolonial literature and film. Frederick Aldama engages in theoretically sophisticated readings of Ana Castillo's So Far from God, Oscar "Zeta" Acosta's Autobiography of a Brown Buffalo, Salman Rushdie's Midnight's Children, Shame, The Satanic Verses, and The Moor's Last Sigh, Julie Dash's Daughters of the Dust, and Stephen Frears and Hanif Kureishi's Sammy and Rosie Get Laid. Coining the term "magicorealism" to characterize these works, Aldama not only creates a postethnic critical methodology for enlarging the contact zone between the genres of novel, film, and autobiography, but also shatters the interpretive lens that traditionally confuses the transcription of the real world, where truth and falsity apply, with narrative modes governed by other criteria.

More books from University of Texas Press

Cover of the book Living in the Woods in a Tree by Frederick Luis  Aldama
Cover of the book Politics of the Chaco Peace Conference, 1935–1939 by Frederick Luis  Aldama
Cover of the book Hend and the Soldiers by Frederick Luis  Aldama
Cover of the book Life with a Superhero by Frederick Luis  Aldama
Cover of the book Climate and Culture Change in North America AD 900–1600 by Frederick Luis  Aldama
Cover of the book Whose School Is It? by Frederick Luis  Aldama
Cover of the book Bridging by Frederick Luis  Aldama
Cover of the book On Story—Screenwriters and Their Craft by Frederick Luis  Aldama
Cover of the book A History of Fort Worth in Black & White by Frederick Luis  Aldama
Cover of the book The Exiles and Other Stories by Frederick Luis  Aldama
Cover of the book Native Evangelism in Central Mexico by Frederick Luis  Aldama
Cover of the book The Ethics of Intensity in American Fiction by Frederick Luis  Aldama
Cover of the book Captain Jack Helm by Frederick Luis  Aldama
Cover of the book Doin’ Drugs by Frederick Luis  Aldama
Cover of the book Revolution on the Pampas by Frederick Luis  Aldama
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy