PRISONERS OF THE VOID

The existential misgivings of a legal aid lawyer

Nonfiction, Reference & Language, Law, Criminal law, Religion & Spirituality, Philosophy, Ethics & Moral Philosophy, Social & Cultural Studies, Political Science
Cover of the book PRISONERS OF THE VOID by Otto Loser, Anton Matins, Migration Books
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Author: Otto Loser, Anton Matins ISBN: 9781999940010
Publisher: Migration Books Publication: June 21, 2018
Imprint: Migration Books Language: English
Author: Otto Loser, Anton Matins
ISBN: 9781999940010
Publisher: Migration Books
Publication: June 21, 2018
Imprint: Migration Books
Language: English

I’ll suppose that the automaton adapted and restructured itself instinctively, and by behavioural permutations as it trundled along. My thoughts urge me to demonstrate how this creature that I am might have deviated significantly from a period early in the seventeenth century, only to loom larger as it sought to reform its relations with myths and legends. It seems this thing that I am has been forging its affiliations with the fabulous technologies it happens to have stumbled across. Frankenstein’s monster was a literary beacon for the age of technology. But it wasn’t a monster. It was an automaton made of human parts. It’s as a consequence of what appears to be the automated nature of my thoughts that I continue to probe at an increasingly comprehensive form of the Frankenstein narrative, to the point of making it the core supposition of my writing.  Otto Loser, 2018

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I’ll suppose that the automaton adapted and restructured itself instinctively, and by behavioural permutations as it trundled along. My thoughts urge me to demonstrate how this creature that I am might have deviated significantly from a period early in the seventeenth century, only to loom larger as it sought to reform its relations with myths and legends. It seems this thing that I am has been forging its affiliations with the fabulous technologies it happens to have stumbled across. Frankenstein’s monster was a literary beacon for the age of technology. But it wasn’t a monster. It was an automaton made of human parts. It’s as a consequence of what appears to be the automated nature of my thoughts that I continue to probe at an increasingly comprehensive form of the Frankenstein narrative, to the point of making it the core supposition of my writing.  Otto Loser, 2018

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