Psycho, The Birds and Halloween

The Intimacy of Terror in Three Classic Films

Nonfiction, Entertainment, Performing Arts, Film, Fiction & Literature, Literary Theory & Criticism
Cover of the book Psycho, The Birds and Halloween by Randy Rasmussen, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Randy Rasmussen ISBN: 9781476613666
Publisher: McFarland & Company, Inc., Publishers Publication: December 3, 2013
Imprint: Language: English
Author: Randy Rasmussen
ISBN: 9781476613666
Publisher: McFarland & Company, Inc., Publishers
Publication: December 3, 2013
Imprint:
Language: English

Horror films come in a wide variety of styles and subject matter. Three of the most intimate explorations of terror are examined in this study. Intimate in terms of settings (small towns and an isolated motel) and in the emotional links between the characters and the terrors they face. In Psycho, Norman Bates is a darker reflection of his victim Marion Crane and her lover Sam Loomis. They share frustrations, fears and compulsions, albeit at different levels of intensity. In The Birds, Melanie Daniels and her new acquaintances in Bodega Bay share emotional problems which can impel them to act in destructive ways that are echoed, and then overwhelmed by violence from the natural world. Halloween features a monster, Michael Myers, who has more in common with one of his victims, heroine Laurie Strode, than is evident at first glance. Beyond the link between normality and the violently aberrant, all three films give glimpses of emotional intimacy that is threatened and sometimes tragically destroyed by horror.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Horror films come in a wide variety of styles and subject matter. Three of the most intimate explorations of terror are examined in this study. Intimate in terms of settings (small towns and an isolated motel) and in the emotional links between the characters and the terrors they face. In Psycho, Norman Bates is a darker reflection of his victim Marion Crane and her lover Sam Loomis. They share frustrations, fears and compulsions, albeit at different levels of intensity. In The Birds, Melanie Daniels and her new acquaintances in Bodega Bay share emotional problems which can impel them to act in destructive ways that are echoed, and then overwhelmed by violence from the natural world. Halloween features a monster, Michael Myers, who has more in common with one of his victims, heroine Laurie Strode, than is evident at first glance. Beyond the link between normality and the violently aberrant, all three films give glimpses of emotional intimacy that is threatened and sometimes tragically destroyed by horror.

More books from McFarland & Company, Inc., Publishers

Cover of the book Willie Stargell by Randy Rasmussen
Cover of the book Bunco Artists in Richmond, 1870-1920 by Randy Rasmussen
Cover of the book Flamenco on the Global Stage by Randy Rasmussen
Cover of the book Hollywood Heyday by Randy Rasmussen
Cover of the book Brigadier General John Adams, CSA by Randy Rasmussen
Cover of the book Forbidden Animation by Randy Rasmussen
Cover of the book Ancient Stone Sites of New England and the Debate Over Early European Exploration by Randy Rasmussen
Cover of the book Corruption and American Cities by Randy Rasmussen
Cover of the book The Ages of the Avengers by Randy Rasmussen
Cover of the book Eastern Air Lines by Randy Rasmussen
Cover of the book Automobile Manufacturers of Cleveland and Ohio, 1864-1942 by Randy Rasmussen
Cover of the book Hitler's Armed Forces Auxiliaries by Randy Rasmussen
Cover of the book Television Program Master Index by Randy Rasmussen
Cover of the book Ebbets to Veeck to Busch by Randy Rasmussen
Cover of the book Passing Time by Randy Rasmussen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy