Quince Duncan

Writing Afro-Costa Rican and Caribbean Identity

Fiction & Literature, Literary Theory & Criticism, Black, American
Cover of the book Quince Duncan by Dorothy E. Mosby, University of Alabama Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Dorothy E. Mosby ISBN: 9780817387228
Publisher: University of Alabama Press Publication: February 28, 2014
Imprint: University Alabama Press Language: English
Author: Dorothy E. Mosby
ISBN: 9780817387228
Publisher: University of Alabama Press
Publication: February 28, 2014
Imprint: University Alabama Press
Language: English

Quince Duncan is a comprehensive study of the published short stories and novels of Costa Rica’s first novelist of African descent and one of the nation’s most esteemed contemporary writers.

 

The grandson of Jamaican and Barbadian immigrants to Limón, Quince Duncan (b. 1940) incorporates personal memories into stories about first generation Afro–West Indian immigrants and their descendants in Costa Rica. Duncan’s novels, short stories, recompilations of oral literature, and essays intimately convey the challenges of Afro–West Indian contract laborers and the struggles of their descendants to be recognized as citizens of the nation they helped bring into modernity.

 

Through his storytelling, Duncan has become an important literary and cultural presence in a country that forged its national identity around the leyenda blanca (white legend) of a rural democracy established by a homogeneous group of white, Catholic, and Spanish peasants. By presenting legends and stories of Limón Province as well as discussing the complex issues of identity, citizenship, belonging, and cultural exile, Duncan has written the story of West Indian migration into the official literary discourse of Costa Rica. His novels Hombres curtidos (1970) and Los cuatro espejos (1973) in particular portray the Afro–West Indian community in Limón and the cultural intolerance encountered by those of African-Caribbean descent who migrated to San José. Because his work follows the historical trajectory from the first West Indian laborers to the contemporary concerns of Afro–Costa Rican people, Duncan is as much a cultural critic and sociologist as he is a novelist.

 

In Quince Duncan, Dorothy E. Mosby combines biographical information on Duncan with geographic and cultural context for the analysis of his works, along with plot summaries and thematic discussions particularly helpful to readers new to Duncan.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Quince Duncan is a comprehensive study of the published short stories and novels of Costa Rica’s first novelist of African descent and one of the nation’s most esteemed contemporary writers.

 

The grandson of Jamaican and Barbadian immigrants to Limón, Quince Duncan (b. 1940) incorporates personal memories into stories about first generation Afro–West Indian immigrants and their descendants in Costa Rica. Duncan’s novels, short stories, recompilations of oral literature, and essays intimately convey the challenges of Afro–West Indian contract laborers and the struggles of their descendants to be recognized as citizens of the nation they helped bring into modernity.

 

Through his storytelling, Duncan has become an important literary and cultural presence in a country that forged its national identity around the leyenda blanca (white legend) of a rural democracy established by a homogeneous group of white, Catholic, and Spanish peasants. By presenting legends and stories of Limón Province as well as discussing the complex issues of identity, citizenship, belonging, and cultural exile, Duncan has written the story of West Indian migration into the official literary discourse of Costa Rica. His novels Hombres curtidos (1970) and Los cuatro espejos (1973) in particular portray the Afro–West Indian community in Limón and the cultural intolerance encountered by those of African-Caribbean descent who migrated to San José. Because his work follows the historical trajectory from the first West Indian laborers to the contemporary concerns of Afro–Costa Rican people, Duncan is as much a cultural critic and sociologist as he is a novelist.

 

In Quince Duncan, Dorothy E. Mosby combines biographical information on Duncan with geographic and cultural context for the analysis of his works, along with plot summaries and thematic discussions particularly helpful to readers new to Duncan.

More books from University of Alabama Press

Cover of the book From Princess to Chief by Dorothy E. Mosby
Cover of the book The Presidency and Public Policy by Dorothy E. Mosby
Cover of the book Education for Liberation by Dorothy E. Mosby
Cover of the book Baking, Bourbon, and Black Drink by Dorothy E. Mosby
Cover of the book Mayas in Postwar Guatemala by Dorothy E. Mosby
Cover of the book Sinclair Lewis Remembered by Dorothy E. Mosby
Cover of the book Sketches of Alabama by Dorothy E. Mosby
Cover of the book Homicidal Insanity, 1800-1985 by Dorothy E. Mosby
Cover of the book Banning Queer Blood by Dorothy E. Mosby
Cover of the book Southern Women Playwrights by Dorothy E. Mosby
Cover of the book Come in at the Door by Dorothy E. Mosby
Cover of the book Southern Wonder by Dorothy E. Mosby
Cover of the book British Women Writing Fiction by Dorothy E. Mosby
Cover of the book Island Lives by Dorothy E. Mosby
Cover of the book Connections after Colonialism by Dorothy E. Mosby
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy