Race and the Revolutionary Impulse in The Spook Who Sat by the Door

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Art & Architecture, General Art, Art Technique
Cover of the book Race and the Revolutionary Impulse in The Spook Who Sat by the Door by , Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780253031808
Publisher: Indiana University Press Publication: January 1, 2018
Imprint: Indiana University Press Language: English
Author:
ISBN: 9780253031808
Publisher: Indiana University Press
Publication: January 1, 2018
Imprint: Indiana University Press
Language: English

Ivan Dixon’s 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee’s novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists’ press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Ivan Dixon’s 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee’s novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists’ press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

More books from Indiana University Press

Cover of the book Homeless, Friendless, and Penniless by
Cover of the book The Subject of Holocaust Fiction by
Cover of the book Noah's Ravens by
Cover of the book Spirited Wind Playing by
Cover of the book The Accompaniment in "Unaccompanied" Bach by
Cover of the book Jelly Roll, Bix, and Hoagy by
Cover of the book City of Rogues and Schnorrers by
Cover of the book Space and Mobility in Palestine by
Cover of the book Dancing Class by
Cover of the book Temple to Love by
Cover of the book The Tears of the Black Man by
Cover of the book Sexual Behavior in the Human Female by
Cover of the book Global Clay by
Cover of the book Franchthi Neolithic Pottery, Volume 2, vol. 2 by
Cover of the book Allusion as Narrative Premise in Brahms’s Instrumental Music by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy