Reading Network Fiction

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism
Cover of the book Reading Network Fiction by David Ciccoricco, University of Alabama Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: David Ciccoricco ISBN: 9780817380090
Publisher: University of Alabama Press Publication: September 26, 2008
Imprint: University Alabama Press Language: English
Author: David Ciccoricco
ISBN: 9780817380090
Publisher: University of Alabama Press
Publication: September 26, 2008
Imprint: University Alabama Press
Language: English

The marriage of narrative and the computer dates back to the 1980s, with the hypertext experiments of luminaries such as Judy Malloy and Michael Joyce. What has been variously called "hypertext fiction," "literary hypertext," and "hyperfiction" has surely surrendered any claim to newness in the 21st century.

 

David Ciccoricco establishes the category of "network fiction" as distinguishable from other forms of hypertext and cybertext: network fictions are narrative texts in digitally networked environments that make use of hypertext technology in order to create emergent and recombinant narratives. Though they both pre-date and post-date the World Wide Web, they share with it an aesthetic drive that exploits the networking potential of digital composition and foregrounds notions of narrative recurrence and return.

 

Ciccoricco analyzes innovative developments in network fiction from first-generation writers Michael Joyce (Twilight, a symphony, 1997) and Stuart Moulthrop (Victory Garden, 1991) through Judd Morrissey’s The Jew's Daughter (2000), an acclaimed example of digital literature in its latter instantiations on the Web. Each investigation demonstrates not only what the digital environment might mean for narrative theory but also the ability of network fictions to sustain a mode of reading that might, arguably, be called "literary." The movement in the arts away from representation and toward simulation, away from the dynamics of reading and interpretation and toward the dynamics of interaction and play, has indeed led to exaggerated or alarmist claims of the endangerment of the literary arts. At the same time, some have simply doubted that the conceptual and discursive intricacy of print fiction can migrate to new media. Against these claims, Reading Network Fiction attests to the verbal complexity and conceptual depth of a body of writing created for the surface of the screen.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The marriage of narrative and the computer dates back to the 1980s, with the hypertext experiments of luminaries such as Judy Malloy and Michael Joyce. What has been variously called "hypertext fiction," "literary hypertext," and "hyperfiction" has surely surrendered any claim to newness in the 21st century.

 

David Ciccoricco establishes the category of "network fiction" as distinguishable from other forms of hypertext and cybertext: network fictions are narrative texts in digitally networked environments that make use of hypertext technology in order to create emergent and recombinant narratives. Though they both pre-date and post-date the World Wide Web, they share with it an aesthetic drive that exploits the networking potential of digital composition and foregrounds notions of narrative recurrence and return.

 

Ciccoricco analyzes innovative developments in network fiction from first-generation writers Michael Joyce (Twilight, a symphony, 1997) and Stuart Moulthrop (Victory Garden, 1991) through Judd Morrissey’s The Jew's Daughter (2000), an acclaimed example of digital literature in its latter instantiations on the Web. Each investigation demonstrates not only what the digital environment might mean for narrative theory but also the ability of network fictions to sustain a mode of reading that might, arguably, be called "literary." The movement in the arts away from representation and toward simulation, away from the dynamics of reading and interpretation and toward the dynamics of interaction and play, has indeed led to exaggerated or alarmist claims of the endangerment of the literary arts. At the same time, some have simply doubted that the conceptual and discursive intricacy of print fiction can migrate to new media. Against these claims, Reading Network Fiction attests to the verbal complexity and conceptual depth of a body of writing created for the surface of the screen.

More books from University of Alabama Press

Cover of the book Rabbi Max Heller by David Ciccoricco
Cover of the book An Insight into an Insane Asylum by David Ciccoricco
Cover of the book The Quest for Jewish Belief and Identity in the Graphic Novel by David Ciccoricco
Cover of the book Caring, Curing, Coping by David Ciccoricco
Cover of the book Woodland Potters and Archaeological Ceramics of the North Carolina Coast by David Ciccoricco
Cover of the book Ye That Are Men Now Serve Him by David Ciccoricco
Cover of the book Contemporaries and Snobs by David Ciccoricco
Cover of the book The Poisoned Chalice by David Ciccoricco
Cover of the book Memoir of My Youth in Cuba by David Ciccoricco
Cover of the book Refrigerated Music for a Gleaming Woman by David Ciccoricco
Cover of the book The Women of Provincetown, 1915-1922 by David Ciccoricco
Cover of the book Man Food by David Ciccoricco
Cover of the book Going for Gold by David Ciccoricco
Cover of the book Dismembering the American Dream by David Ciccoricco
Cover of the book Ceramics, Chronology, and Community Patterns by David Ciccoricco
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy