Robin Hood in Outlaw/ed Spaces

Media, Performance, and Other New Directions

Fiction & Literature, Literary Theory & Criticism, Ancient & Classical, Nonfiction, History
Cover of the book Robin Hood in Outlaw/ed Spaces by , Taylor and Francis
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Author: ISBN: 9781317062042
Publisher: Taylor and Francis Publication: November 10, 2016
Imprint: Routledge Language: English
Author:
ISBN: 9781317062042
Publisher: Taylor and Francis
Publication: November 10, 2016
Imprint: Routledge
Language: English

Following in the tradition of recent work by cultural geographers and historians of maps, this collection examines the apparently familiar figure of Robin Hood as he can be located within spaces that are geographical, cultural, and temporal. The volume is divided into two sections: the first features an interrogation of the literary and other textually transmitted spaces to uncover the critical grounds in which the Robin Hood ’legend’ has traditionally operated. The essays in Part Two take up issues related to performative and experiential space, demonstrating the reciprocal relationship between page, stage, and lived experience. Throughout the volume, the contributors contend with, among other things, modern theories of gender, literary detective work, and the ways in which the settings that once advanced court performances now include digital gaming and the enactment of ’real’ lives.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Following in the tradition of recent work by cultural geographers and historians of maps, this collection examines the apparently familiar figure of Robin Hood as he can be located within spaces that are geographical, cultural, and temporal. The volume is divided into two sections: the first features an interrogation of the literary and other textually transmitted spaces to uncover the critical grounds in which the Robin Hood ’legend’ has traditionally operated. The essays in Part Two take up issues related to performative and experiential space, demonstrating the reciprocal relationship between page, stage, and lived experience. Throughout the volume, the contributors contend with, among other things, modern theories of gender, literary detective work, and the ways in which the settings that once advanced court performances now include digital gaming and the enactment of ’real’ lives.

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