Routledge Revivals: Chaucer, Langland, and the Creative Imagination (1980)

Fiction & Literature, Literary Theory & Criticism, Medieval, Nonfiction, History, British
Cover of the book Routledge Revivals: Chaucer, Langland, and the Creative Imagination (1980) by David Aers, Taylor and Francis
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Author: David Aers ISBN: 9781351373593
Publisher: Taylor and Francis Publication: November 22, 2017
Imprint: Routledge Language: English
Author: David Aers
ISBN: 9781351373593
Publisher: Taylor and Francis
Publication: November 22, 2017
Imprint: Routledge
Language: English

First published in 1980, this study of two renowned later fourteenth century English poets, Chaucer and Langland, concentrates on some major and representative aspects of their work. Aers shows that, in contrast to the mass conventional writing of the period, which was happy to accept and propagate traditional ideologies, Chaucer and Langland were preoccupied with actual conflicts, strains, and developments in received ideologies and social practices. He demonstrates that they were genuinely exploratory, and created work which actively questioned dominant ideologies, even those which they themselves revered and hoped to affirm. For Chaucer and Langland the imagination was indeed creative, involved in the active construction of meanings, and in their poetry they grasped and explored social commitments, religious developments and many perplexing contradictions which were subverting inherited paradigms.

 

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First published in 1980, this study of two renowned later fourteenth century English poets, Chaucer and Langland, concentrates on some major and representative aspects of their work. Aers shows that, in contrast to the mass conventional writing of the period, which was happy to accept and propagate traditional ideologies, Chaucer and Langland were preoccupied with actual conflicts, strains, and developments in received ideologies and social practices. He demonstrates that they were genuinely exploratory, and created work which actively questioned dominant ideologies, even those which they themselves revered and hoped to affirm. For Chaucer and Langland the imagination was indeed creative, involved in the active construction of meanings, and in their poetry they grasped and explored social commitments, religious developments and many perplexing contradictions which were subverting inherited paradigms.

 

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