Sacred to the Touch

Nordic and Baltic Religious Wood Carving

Nonfiction, History, Scandinavia, Art & Architecture, Art History
Cover of the book Sacred to the Touch by Thomas A. DuBois, University of Washington Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Thomas A. DuBois ISBN: 9780295742427
Publisher: University of Washington Press Publication: December 12, 2017
Imprint: University of Washington Press Language: English
Author: Thomas A. DuBois
ISBN: 9780295742427
Publisher: University of Washington Press
Publication: December 12, 2017
Imprint: University of Washington Press
Language: English

With near-mythical forests of birch and pine, the Nordic and Baltic countries boast a rich tradition of religious wood carving that is in many ways emblematic of their cultures. Sacred to the Touch examines the spiritual and intellectual projects of six twentieth- and twenty-first-century artists who have adapted and revitalized this tradition. Through interviews and analyses, folklorist Thomas A. DuBois explores the notions of continuity with the past that these artists seek to express through their art, examining the forest church of late Finnish artist Eva Ryyn�nen, the carvings of Norwegian Americans Phillip Odden and Else Bigton that decorate a planned replica of a stave church in Southern California, the medieval Catholic-rooted work of Lutheran Sister Lydia Mariadotter (Swedish), the grave markers and roadside figures of Algimantas Sakalauskas (Lithuanian), and the merging of Lutheran and pre-Christian traditions by Lars Levi Sunna (S�mi). With color photographs and detailed descriptions, Sacred to the Touch reveals the interplay of tradition with personal and communal identity that characterize modern religious carving in Northern Europe.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

With near-mythical forests of birch and pine, the Nordic and Baltic countries boast a rich tradition of religious wood carving that is in many ways emblematic of their cultures. Sacred to the Touch examines the spiritual and intellectual projects of six twentieth- and twenty-first-century artists who have adapted and revitalized this tradition. Through interviews and analyses, folklorist Thomas A. DuBois explores the notions of continuity with the past that these artists seek to express through their art, examining the forest church of late Finnish artist Eva Ryyn�nen, the carvings of Norwegian Americans Phillip Odden and Else Bigton that decorate a planned replica of a stave church in Southern California, the medieval Catholic-rooted work of Lutheran Sister Lydia Mariadotter (Swedish), the grave markers and roadside figures of Algimantas Sakalauskas (Lithuanian), and the merging of Lutheran and pre-Christian traditions by Lars Levi Sunna (S�mi). With color photographs and detailed descriptions, Sacred to the Touch reveals the interplay of tradition with personal and communal identity that characterize modern religious carving in Northern Europe.

More books from University of Washington Press

Cover of the book Popular Preaching and Religious Authority in the Medieval Islamic Near East by Thomas A. DuBois
Cover of the book A Year in the Life of a Shinto Shrine by Thomas A. DuBois
Cover of the book Art and Intimacy by Thomas A. DuBois
Cover of the book Bartering with the Bones of Their Dead by Thomas A. DuBois
Cover of the book Scent of Apples by Thomas A. DuBois
Cover of the book Death of Celilo Falls by Thomas A. DuBois
Cover of the book Toxic Archipelago by Thomas A. DuBois
Cover of the book Underdog by Thomas A. DuBois
Cover of the book In Pursuit of Alaska by Thomas A. DuBois
Cover of the book Homebase by Thomas A. DuBois
Cover of the book Repairing the American Metropolis by Thomas A. DuBois
Cover of the book Sexuality in China by Thomas A. DuBois
Cover of the book The Plays of Samuel Beckett by Thomas A. DuBois
Cover of the book The Bible in Middle English Literature by Thomas A. DuBois
Cover of the book Charming Gardeners by Thomas A. DuBois
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy