Screen Hustles, Grifts and Stings

Nonfiction, Entertainment, Drama, American, Fiction & Literature, Crime
Cover of the book Screen Hustles, Grifts and Stings by Amy Sargeant, Palgrave Macmillan
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Amy Sargeant ISBN: 9781137466907
Publisher: Palgrave Macmillan Publication: December 21, 2015
Imprint: Palgrave Pivot Language: English
Author: Amy Sargeant
ISBN: 9781137466907
Publisher: Palgrave Macmillan
Publication: December 21, 2015
Imprint: Palgrave Pivot
Language: English

Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit). Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit). Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?

More books from Palgrave Macmillan

Cover of the book Policing and Contemporary Governance by Amy Sargeant
Cover of the book Gender and Violence in British India by Amy Sargeant
Cover of the book Antonio Gramsci by Amy Sargeant
Cover of the book Digital Capital by Amy Sargeant
Cover of the book The Strategic Development of Multinationals by Amy Sargeant
Cover of the book A Theory of Freedom by Amy Sargeant
Cover of the book Laws and Regulations in Global Financial Markets by Amy Sargeant
Cover of the book Consumption, Informal Markets, and the Underground Economy by Amy Sargeant
Cover of the book How Power Changes Hands by Amy Sargeant
Cover of the book The Political Ethics of Public Service by Amy Sargeant
Cover of the book Evolution of Innovation Management by Amy Sargeant
Cover of the book Non-Medical Prescribing in Healthcare Practice by Amy Sargeant
Cover of the book Public Services and Financial Austerity by Amy Sargeant
Cover of the book Translations In Times of Disruption by Amy Sargeant
Cover of the book Curators of Cultural Enterprise by Amy Sargeant
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy