Semiotics and Pragmatics of Stage Improvisation

Nonfiction, Reference & Language, Language Arts, Linguistics, Entertainment, Performing Arts, Reference
Cover of the book Semiotics and Pragmatics of Stage Improvisation by Professor Domenico Pietropaolo, Bloomsbury Publishing
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Author: Professor Domenico Pietropaolo ISBN: 9781474225823
Publisher: Bloomsbury Publishing Publication: September 22, 2016
Imprint: Bloomsbury Academic Language: English
Author: Professor Domenico Pietropaolo
ISBN: 9781474225823
Publisher: Bloomsbury Publishing
Publication: September 22, 2016
Imprint: Bloomsbury Academic
Language: English

Analysis of improvisation as a compositional practice in the Commedia dell'Arte and related traditions from the Renaissance to the 21st century. Domenic Pietropaolo takes textual material from the stage traditions of Italy, France, Germany and England, and covers comedic drama, dance, pantomime and dramatic theory, and more. He shines a light onto 'the signs of improvised communication'.

The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. The book focusses on dramatic text as well as:

- The semiotics of stage discourse, including semantic, syntactic and pragmatic aspects of sign production
- The physical and material conditions of sign-production including biomechanical limitations of masks and costumes.

Semiotics and Pragmatics of Stage Improvisation is the product of an entire career spent researching the semiotics of the stage and it is essential reading for semioticians and students of performance arts.

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Analysis of improvisation as a compositional practice in the Commedia dell'Arte and related traditions from the Renaissance to the 21st century. Domenic Pietropaolo takes textual material from the stage traditions of Italy, France, Germany and England, and covers comedic drama, dance, pantomime and dramatic theory, and more. He shines a light onto 'the signs of improvised communication'.

The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. The book focusses on dramatic text as well as:

- The semiotics of stage discourse, including semantic, syntactic and pragmatic aspects of sign production
- The physical and material conditions of sign-production including biomechanical limitations of masks and costumes.

Semiotics and Pragmatics of Stage Improvisation is the product of an entire career spent researching the semiotics of the stage and it is essential reading for semioticians and students of performance arts.

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