Sentimental Literature and Anglo-Scottish Identity, 1745–1820

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Sentimental Literature and Anglo-Scottish Identity, 1745–1820 by Juliet Shields, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Juliet Shields ISBN: 9780511850226
Publisher: Cambridge University Press Publication: June 24, 2010
Imprint: Cambridge University Press Language: English
Author: Juliet Shields
ISBN: 9780511850226
Publisher: Cambridge University Press
Publication: June 24, 2010
Imprint: Cambridge University Press
Language: English

What did it mean to be British, and more specifically to feel British, in the century following the parliamentary union of Scotland and England? Juliet Shields departs from recent accounts of the Romantic emergence of nationalism by recovering the terms in which eighteenth- and early nineteenth-century writers understood nationhood. She argues that in the wake of the turmoil surrounding the Union, Scottish writers appealed to sentiment, or refined feeling, to imagine the nation as a community. They sought to transform a Great Britain united by political and economic interests into one united by shared sympathies, even while they used the gendered and racial connotations of sentiment to differentiate sharply between Scottish, English, and British identities. By moving Scotland from the margins to the center of literary history, the book explores how sentiment shaped both the development of British identity and the literature within which writers responded creatively to the idea of nationhood.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What did it mean to be British, and more specifically to feel British, in the century following the parliamentary union of Scotland and England? Juliet Shields departs from recent accounts of the Romantic emergence of nationalism by recovering the terms in which eighteenth- and early nineteenth-century writers understood nationhood. She argues that in the wake of the turmoil surrounding the Union, Scottish writers appealed to sentiment, or refined feeling, to imagine the nation as a community. They sought to transform a Great Britain united by political and economic interests into one united by shared sympathies, even while they used the gendered and racial connotations of sentiment to differentiate sharply between Scottish, English, and British identities. By moving Scotland from the margins to the center of literary history, the book explores how sentiment shaped both the development of British identity and the literature within which writers responded creatively to the idea of nationhood.

More books from Cambridge University Press

Cover of the book Transitions and Non-Transitions from Communism by Juliet Shields
Cover of the book Buddhism, Politics and Political Thought in Myanmar by Juliet Shields
Cover of the book Dimensions of Dignity by Juliet Shields
Cover of the book Foundations of High-Energy-Density Physics by Juliet Shields
Cover of the book Methods of Argumentation by Juliet Shields
Cover of the book Multiple Sclerosis Therapeutics by Juliet Shields
Cover of the book American Literature in Transition, 1920–1930 by Juliet Shields
Cover of the book SBA and MTF MCQs for the Primary FRCA by Juliet Shields
Cover of the book The Logic and Limits of Political Reform in China by Juliet Shields
Cover of the book Law's Cosmos by Juliet Shields
Cover of the book Crime, Shame and Reintegration by Juliet Shields
Cover of the book The Foundations of Modern Science in the Middle Ages by Juliet Shields
Cover of the book Understanding Politeness by Juliet Shields
Cover of the book An Introduction to International Criminal Law and Procedure by Juliet Shields
Cover of the book A Concise History of Switzerland by Juliet Shields
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy