Settling the Score

Essays on Music

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, Fiction & Literature, Essays & Letters, Essays
Cover of the book Settling the Score by Ned Rorem, Open Road Media
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Author: Ned Rorem ISBN: 9781480427778
Publisher: Open Road Media Publication: June 18, 2013
Imprint: Open Road Media Language: English
Author: Ned Rorem
ISBN: 9781480427778
Publisher: Open Road Media
Publication: June 18, 2013
Imprint: Open Road Media
Language: English

Ned Rorem explores the state of contemporary classical music in a magnificent collection of personally selected essays and critiques of masterworks, lesser works, and their legendary creators

Pulitzer Prize–winner Ned Rorem’s musical compositions are considered some of the finest produced in the past century. His literary works have been hailed as “scintillating” (Time magazine) and “extraordinary” (The Washington Post). Rorem’s remarkable twin talents are brilliantly intertwined in Settling the Score, a masterful collection of essays on music, composers, and the state of the art.

 

Selected by Rorem himself, these enthralling and provocative pieces examine the works of the great and (in the author’s lively, unabashed opinion) the not-so-great masters of twentieth-century classical music—Debussy, Ravel, Copland, Gershwin, Barber, Cage, Bernstein, Britten, Stravinsky, and others. With keen precision, he dissects the so-called serious music of our time while predicting where the form is bound in the future. Never lacking in intelligence or wit, each essay in Settling the Score sings in a voice that is clear and true.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Ned Rorem explores the state of contemporary classical music in a magnificent collection of personally selected essays and critiques of masterworks, lesser works, and their legendary creators

Pulitzer Prize–winner Ned Rorem’s musical compositions are considered some of the finest produced in the past century. His literary works have been hailed as “scintillating” (Time magazine) and “extraordinary” (The Washington Post). Rorem’s remarkable twin talents are brilliantly intertwined in Settling the Score, a masterful collection of essays on music, composers, and the state of the art.

 

Selected by Rorem himself, these enthralling and provocative pieces examine the works of the great and (in the author’s lively, unabashed opinion) the not-so-great masters of twentieth-century classical music—Debussy, Ravel, Copland, Gershwin, Barber, Cage, Bernstein, Britten, Stravinsky, and others. With keen precision, he dissects the so-called serious music of our time while predicting where the form is bound in the future. Never lacking in intelligence or wit, each essay in Settling the Score sings in a voice that is clear and true.

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