Shakespeare's Rome

Republic and Empire

Fiction & Literature, Literary Theory & Criticism, Ancient & Classical, British
Cover of the book Shakespeare's Rome by Paul A. Cantor, University of Chicago Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Paul A. Cantor ISBN: 9780226469003
Publisher: University of Chicago Press Publication: July 5, 2017
Imprint: University of Chicago Press Language: English
Author: Paul A. Cantor
ISBN: 9780226469003
Publisher: University of Chicago Press
Publication: July 5, 2017
Imprint: University of Chicago Press
Language: English

For more than forty years, Paul Cantor’s Shakespeare’s Rome has been a foundational work in the field of politics and literature. While many critics assumed that the Roman plays do not reflect any special knowledge of Rome, Cantor was one of the first to argue that they are grounded in a profound understanding of the Roman regime and its changes over time. Taking Shakespeare seriously as a political thinker, Cantor suggests that his Roman plays can be profitably studied in the context of the classical republican tradition in political philosophy.
           
In Shakespeare’s Rome, Cantor examines the political settings of Shakespeare’s Roman plays, Coriolanus and Antony and Cleopatra, with references as well to Julius Caesar. Cantor shows that Shakespeare presents a convincing portrait of Rome in different eras of its history, contrasting the austere republic of Coriolanus, with its narrow horizons and martial virtues, and the cosmopolitan empire of Antony and Cleopatra, with its “immortal longings” and sophistication bordering on decadence.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

For more than forty years, Paul Cantor’s Shakespeare’s Rome has been a foundational work in the field of politics and literature. While many critics assumed that the Roman plays do not reflect any special knowledge of Rome, Cantor was one of the first to argue that they are grounded in a profound understanding of the Roman regime and its changes over time. Taking Shakespeare seriously as a political thinker, Cantor suggests that his Roman plays can be profitably studied in the context of the classical republican tradition in political philosophy.
           
In Shakespeare’s Rome, Cantor examines the political settings of Shakespeare’s Roman plays, Coriolanus and Antony and Cleopatra, with references as well to Julius Caesar. Cantor shows that Shakespeare presents a convincing portrait of Rome in different eras of its history, contrasting the austere republic of Coriolanus, with its narrow horizons and martial virtues, and the cosmopolitan empire of Antony and Cleopatra, with its “immortal longings” and sophistication bordering on decadence.

More books from University of Chicago Press

Cover of the book Agendas and Instability in American Politics, Second Edition by Paul A. Cantor
Cover of the book Sites of the Unconscious by Paul A. Cantor
Cover of the book Designs on the Contemporary by Paul A. Cantor
Cover of the book Strange Tales of an Oriental Idol by Paul A. Cantor
Cover of the book Remotely Global by Paul A. Cantor
Cover of the book Poetry and Its Others by Paul A. Cantor
Cover of the book A Social History of Truth by Paul A. Cantor
Cover of the book Paging God by Paul A. Cantor
Cover of the book Doormen by Paul A. Cantor
Cover of the book Personal Knowledge by Paul A. Cantor
Cover of the book Apples and Oranges by Paul A. Cantor
Cover of the book Dreams of Waking by Paul A. Cantor
Cover of the book Unfinished Gestures by Paul A. Cantor
Cover of the book Quantifying Systemic Risk by Paul A. Cantor
Cover of the book Under Osman's Tree by Paul A. Cantor
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy