Shakespeare and Conceptual Blending

Cognition, Creativity, Criticism

Nonfiction, Entertainment, Theatre, Performing Arts
Cover of the book Shakespeare and Conceptual Blending by Michael Booth, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michael Booth ISBN: 9783319621876
Publisher: Springer International Publishing Publication: November 14, 2017
Imprint: Palgrave Macmillan Language: English
Author: Michael Booth
ISBN: 9783319621876
Publisher: Springer International Publishing
Publication: November 14, 2017
Imprint: Palgrave Macmillan
Language: English

This book shows how Shakespeare’s excellence as storyteller, wit and poet reflects the creative process of conceptual blending. Cognitive theory provides a wealth of new ideas that illuminate Shakespeare, even as he illuminates them, and the theory of blending, or conceptual integration, strikingly corroborates and amplifies both classic and current insights of literary criticism. This study explores how Shakespeare crafted his plots by fusing diverse story elements and compressing incidents to strengthen dramatic illusion; considers Shakespeare’s wit as involving sudden incongruities and a reckoning among differing points of view; interrogates how blending generates the “strange meaning” that distinguishes poetic expression; and situates the project in relation to other cognitive literary criticism. This book is of particular significance to scholars and students of Shakespeare and cognitive theory, as well as readers curious about how the mind works.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book shows how Shakespeare’s excellence as storyteller, wit and poet reflects the creative process of conceptual blending. Cognitive theory provides a wealth of new ideas that illuminate Shakespeare, even as he illuminates them, and the theory of blending, or conceptual integration, strikingly corroborates and amplifies both classic and current insights of literary criticism. This study explores how Shakespeare crafted his plots by fusing diverse story elements and compressing incidents to strengthen dramatic illusion; considers Shakespeare’s wit as involving sudden incongruities and a reckoning among differing points of view; interrogates how blending generates the “strange meaning” that distinguishes poetic expression; and situates the project in relation to other cognitive literary criticism. This book is of particular significance to scholars and students of Shakespeare and cognitive theory, as well as readers curious about how the mind works.

More books from Springer International Publishing

Cover of the book Complexity in Financial Markets by Michael Booth
Cover of the book Finite Difference Methods,Theory and Applications by Michael Booth
Cover of the book Tunnel Fire Testing and Modeling by Michael Booth
Cover of the book How Free Cationic Polymer Chains Promote Gene Transfection by Michael Booth
Cover of the book Pediatric Inflammatory Bowel Disease by Michael Booth
Cover of the book The Theory and Practice of Social Machines by Michael Booth
Cover of the book Building Theories by Michael Booth
Cover of the book Creating Organizational Value through Dialogical Leadership by Michael Booth
Cover of the book Advances and Applications Through Fungal Nanobiotechnology by Michael Booth
Cover of the book Living With Hacktivism by Michael Booth
Cover of the book Cultural Heritage as Civilizing Mission by Michael Booth
Cover of the book Modeling Nonlinear Problems in the Mechanics of Strings and Rods by Michael Booth
Cover of the book Distributed Computer and Communication Networks by Michael Booth
Cover of the book Online Othering by Michael Booth
Cover of the book Exchange Rate, Second Round Effects and Inflation Processes by Michael Booth
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy