Shakespeare and Impure Aesthetics

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Shakespeare and Impure Aesthetics by Hugh Grady, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Hugh Grady ISBN: 9780511699313
Publisher: Cambridge University Press Publication: August 13, 2009
Imprint: Cambridge University Press Language: English
Author: Hugh Grady
ISBN: 9780511699313
Publisher: Cambridge University Press
Publication: August 13, 2009
Imprint: Cambridge University Press
Language: English

Shakespeare and Impure Aesthetics explores ideas about art implicit in Shakespeare's plays and defines specific Shakespearean aesthetic practices in his use of desire, death and mourning as resources for art. Hugh Grady draws on a tradition of aesthetic theorists who understand art as always formed in a specific historical moment but as also distanced from its context through its form and Utopian projections. Grady sees A Midsummer Night's Dream, Timon of Athens, Hamlet, and Romeo and Juliet as displaying these qualities, showing aesthetic theory's usefulness for close readings of the plays. The book argues that such social-minded 'impure aesthetics' can revitalize the political impulses of the new historicism while opening up a new aesthetic dimension in the current discussion of Shakespeare.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Shakespeare and Impure Aesthetics explores ideas about art implicit in Shakespeare's plays and defines specific Shakespearean aesthetic practices in his use of desire, death and mourning as resources for art. Hugh Grady draws on a tradition of aesthetic theorists who understand art as always formed in a specific historical moment but as also distanced from its context through its form and Utopian projections. Grady sees A Midsummer Night's Dream, Timon of Athens, Hamlet, and Romeo and Juliet as displaying these qualities, showing aesthetic theory's usefulness for close readings of the plays. The book argues that such social-minded 'impure aesthetics' can revitalize the political impulses of the new historicism while opening up a new aesthetic dimension in the current discussion of Shakespeare.

More books from Cambridge University Press

Cover of the book The Annals of Tacitus: Book 4 by Hugh Grady
Cover of the book Wordsworth and the Poetics of Air by Hugh Grady
Cover of the book The Literature of Al-Andalus by Hugh Grady
Cover of the book Collapse of the Wave Function by Hugh Grady
Cover of the book Public Opinion and Politics in the Late Roman Republic by Hugh Grady
Cover of the book Restoration Plays and Players by Hugh Grady
Cover of the book Rabbis, Language and Translation in Late Antiquity by Hugh Grady
Cover of the book The Legal Framework of the OSCE by Hugh Grady
Cover of the book Hearing Voices by Hugh Grady
Cover of the book Animal Friendships by Hugh Grady
Cover of the book Never at Rest by Hugh Grady
Cover of the book The Political Economy of Agricultural Price Distortions by Hugh Grady
Cover of the book Estimating Groundwater Recharge by Hugh Grady
Cover of the book The Commercial Appropriation of Fame by Hugh Grady
Cover of the book Auxiliary Polynomials in Number Theory by Hugh Grady
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy