Shakespeare and the Cleopatra/Caesar Intertext

Sequel, Conflation, Remake

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Shakespeare and the Cleopatra/Caesar Intertext by Sarah Hatchuel, Fairleigh Dickinson University Press
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Author: Sarah Hatchuel ISBN: 9781611474480
Publisher: Fairleigh Dickinson University Press Publication: July 16, 2011
Imprint: Fairleigh Dickinson University Press Language: English
Author: Sarah Hatchuel
ISBN: 9781611474480
Publisher: Fairleigh Dickinson University Press
Publication: July 16, 2011
Imprint: Fairleigh Dickinson University Press
Language: English

Is William Shakespeare's Antony and Cleopatra a sequel to the earlier Julius Caesar? If this question raises issues of authorship and reception, it also interrogates the construction of dramatic sequels: how does a playtext ultimately become the follow-up of another text? This book explores how dramatic works written before and after Shakespeare's time have encouraged us to view Shakespeare's Julius Caesar and Antony and Cleopatra as strongly interconnected plays, encouraging their sequelization in the theater and paving the way toward the filmic conflations of the twentieth century. Uniquely blending theories of literary and filmic intertextuality with issues of race and gender, and written by an experienced author trained both in early modern and film studies, this book can easily find its place in any syllabus in Shakespeare or in media studies, as well as in a wide range of cultural and literary courses.

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Is William Shakespeare's Antony and Cleopatra a sequel to the earlier Julius Caesar? If this question raises issues of authorship and reception, it also interrogates the construction of dramatic sequels: how does a playtext ultimately become the follow-up of another text? This book explores how dramatic works written before and after Shakespeare's time have encouraged us to view Shakespeare's Julius Caesar and Antony and Cleopatra as strongly interconnected plays, encouraging their sequelization in the theater and paving the way toward the filmic conflations of the twentieth century. Uniquely blending theories of literary and filmic intertextuality with issues of race and gender, and written by an experienced author trained both in early modern and film studies, this book can easily find its place in any syllabus in Shakespeare or in media studies, as well as in a wide range of cultural and literary courses.

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