Shakespeare, Cinema, Counter-Culture

Appropriation and Inversion

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Shakespeare, Cinema, Counter-Culture by Ailsa Grant Ferguson, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ailsa Grant Ferguson ISBN: 9781135041847
Publisher: Taylor and Francis Publication: June 23, 2016
Imprint: Routledge Language: English
Author: Ailsa Grant Ferguson
ISBN: 9781135041847
Publisher: Taylor and Francis
Publication: June 23, 2016
Imprint: Routledge
Language: English

Addressing for the first time Shakespeare’s place in counter-cultural cinema, this book examines and theorizes counter-hegemonic, postmodern, and post-punk Shakespeare in late 20th and early 21st century film. Drawing on a diverse range of case studies, Grant Ferguson presents an interdisciplinary approach that offers new theories on the nature and application of Shakespearean appropriations in the light of postmodern modes of representation. The book considers the nature of the Shakespearean inter-text in subcultural political contexts concerning the politicized aesthetics of a Shakespearean ‘body in pieces,’ the carnivalesque, and notions of Shakespeare as counter-hegemonic weapon or source of empowerment. Representative films use Shakespeare (and his accompanying cultural capital) to challenge notions of capitalist globalization, dominant socio-cultural ideologies, and hegemonic modes of expression. In response to a post-modern culture saturated with logos and semiotic abbreviations, many such films play with the emblematic imagery and references of Shakespeare’s texts. These curious appropriations have much to reveal about the elusive nature of intertextuality in late postmodern culture and the battle for cultural ownership of Shakespeare. As there has yet to be a study that isolates and theorizes modes of Shakespearean production that specifically demonstrate resistance to the social, political, ideological, aesthetic, and cinematic norms of the Western world, this book expands the dialogue around such texts and interprets their patterns of appropriation, adaptation, and representation of Shakespeare.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Addressing for the first time Shakespeare’s place in counter-cultural cinema, this book examines and theorizes counter-hegemonic, postmodern, and post-punk Shakespeare in late 20th and early 21st century film. Drawing on a diverse range of case studies, Grant Ferguson presents an interdisciplinary approach that offers new theories on the nature and application of Shakespearean appropriations in the light of postmodern modes of representation. The book considers the nature of the Shakespearean inter-text in subcultural political contexts concerning the politicized aesthetics of a Shakespearean ‘body in pieces,’ the carnivalesque, and notions of Shakespeare as counter-hegemonic weapon or source of empowerment. Representative films use Shakespeare (and his accompanying cultural capital) to challenge notions of capitalist globalization, dominant socio-cultural ideologies, and hegemonic modes of expression. In response to a post-modern culture saturated with logos and semiotic abbreviations, many such films play with the emblematic imagery and references of Shakespeare’s texts. These curious appropriations have much to reveal about the elusive nature of intertextuality in late postmodern culture and the battle for cultural ownership of Shakespeare. As there has yet to be a study that isolates and theorizes modes of Shakespearean production that specifically demonstrate resistance to the social, political, ideological, aesthetic, and cinematic norms of the Western world, this book expands the dialogue around such texts and interprets their patterns of appropriation, adaptation, and representation of Shakespeare.

More books from Taylor and Francis

Cover of the book Understanding Econometrics by Ailsa Grant Ferguson
Cover of the book Consumer Behavior Analysis by Ailsa Grant Ferguson
Cover of the book Treny by Ailsa Grant Ferguson
Cover of the book Transparency in International Trade and Investment Dispute Settlement by Ailsa Grant Ferguson
Cover of the book Market Liberalizations and Emigration from Latin America by Ailsa Grant Ferguson
Cover of the book Keeping Them Out of the Hands of Satan by Ailsa Grant Ferguson
Cover of the book Monetary Theory in Retrospect by Ailsa Grant Ferguson
Cover of the book Pathways to Excessive Gambling by Ailsa Grant Ferguson
Cover of the book Global Universities and Urban Development: Case Studies and Analysis by Ailsa Grant Ferguson
Cover of the book Developing Young Writers in the Classroom by Ailsa Grant Ferguson
Cover of the book The Planning Imagination by Ailsa Grant Ferguson
Cover of the book Museums, Power, Knowledge by Ailsa Grant Ferguson
Cover of the book Gender and Global Restructuring by Ailsa Grant Ferguson
Cover of the book Play in Creative Problem-solving for Planners and Architects by Ailsa Grant Ferguson
Cover of the book Business Regulation and Non-State Actors by Ailsa Grant Ferguson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy