Shakespeare’S Richard Ii, God, and Language

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Shakespeare’S Richard Ii, God, and Language by John O'Meara, iUniverse
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John O'Meara ISBN: 9781440197987
Publisher: iUniverse Publication: January 19, 2010
Imprint: iUniverse Language: English
Author: John O'Meara
ISBN: 9781440197987
Publisher: iUniverse
Publication: January 19, 2010
Imprint: iUniverse
Language: English

This book presents an in-depth view of the extraordinary revisionist language Shakespeare gives to his most royal of all kings, from the time Richard falls dramatically out of favor with God.

Readers will find this book most useful in seeking to disentangle the plays notoriously elaborate verbal presentation, but what the author brings out in connection with Richards approach to language should move performers themselves to seek to present in future a more creatively dynamic Richard than the one we have thus far been required to accept.

Especially does this book help one to see more clearly how before Shakespeares difficult re-emergence in his late plays, before all the tragedy, before the fall, there wasGod.

John OMearasworkdisplays an alert and delicate sensitivity to language and metaphor Arthur Kinney, English Language Notes

Cover Photo:

by RegWilson

The Royal Shakespeare Company

Alan Howard as Richard II

in the 1980

Royal Shakespeare Company Production

at Stratford-Upon-Avon

Back Photo

by

A.F.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book presents an in-depth view of the extraordinary revisionist language Shakespeare gives to his most royal of all kings, from the time Richard falls dramatically out of favor with God.

Readers will find this book most useful in seeking to disentangle the plays notoriously elaborate verbal presentation, but what the author brings out in connection with Richards approach to language should move performers themselves to seek to present in future a more creatively dynamic Richard than the one we have thus far been required to accept.

Especially does this book help one to see more clearly how before Shakespeares difficult re-emergence in his late plays, before all the tragedy, before the fall, there wasGod.

John OMearasworkdisplays an alert and delicate sensitivity to language and metaphor Arthur Kinney, English Language Notes

Cover Photo:

by RegWilson

The Royal Shakespeare Company

Alan Howard as Richard II

in the 1980

Royal Shakespeare Company Production

at Stratford-Upon-Avon

Back Photo

by

A.F.

More books from iUniverse

Cover of the book Your Soul at a Crossroads by John O'Meara
Cover of the book The Girl Who Doesn’T Talk by John O'Meara
Cover of the book Soldier Boy by John O'Meara
Cover of the book Building the Body of Christ by John O'Meara
Cover of the book Approved Marketing Plans for New Products and Services by John O'Meara
Cover of the book One Woman's Choice by John O'Meara
Cover of the book Green About Green by John O'Meara
Cover of the book Dreams...Promises...A Vanner Horse Journey by John O'Meara
Cover of the book Trinity Soup by John O'Meara
Cover of the book This World by John O'Meara
Cover of the book Evolving God-Images by John O'Meara
Cover of the book A Dialogue with Depression by John O'Meara
Cover of the book Rainbow Plantation Blues by John O'Meara
Cover of the book Ma William and Her Circle of Friends by John O'Meara
Cover of the book Understanding Male Sexual Abuse by John O'Meara
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy