She is Cuba

A Genealogy of the Mulata Body

Nonfiction, Entertainment, Performing Arts, Dance, Popular, Music
Cover of the book She is Cuba by Melissa Blanco Borelli, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Melissa Blanco Borelli ISBN: 9780199968190
Publisher: Oxford University Press Publication: November 11, 2015
Imprint: Oxford University Press Language: English
Author: Melissa Blanco Borelli
ISBN: 9780199968190
Publisher: Oxford University Press
Publication: November 11, 2015
Imprint: Oxford University Press
Language: English

She is Cuba: A Genealogy of the Mulata Body traces the history of the Cuban mulata and her association with hips, sensuality and popular dance. It examines how the mulata choreographs her racialised identity through her hips and enacts an embodied theory called hip(g)nosis. By focusing on her living and dancing body in order to flesh out the process of identity formation, this book makes a claim for how subaltern bodies negotiate a cultural identity that continues to mark their bodies on a daily basis. Combining literary and personal narratives with historical and theoretical accounts of Cuban popular dance history, religiosity and culture, this work investigates the power of embodied exchanges: bodies watching, looking, touching and dancing with one another. It sets up a genealogy of how the representations and venerations of the dancing mulata continue to circulate and participate in the volatile political and social economy of contemporary Cuba.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

She is Cuba: A Genealogy of the Mulata Body traces the history of the Cuban mulata and her association with hips, sensuality and popular dance. It examines how the mulata choreographs her racialised identity through her hips and enacts an embodied theory called hip(g)nosis. By focusing on her living and dancing body in order to flesh out the process of identity formation, this book makes a claim for how subaltern bodies negotiate a cultural identity that continues to mark their bodies on a daily basis. Combining literary and personal narratives with historical and theoretical accounts of Cuban popular dance history, religiosity and culture, this work investigates the power of embodied exchanges: bodies watching, looking, touching and dancing with one another. It sets up a genealogy of how the representations and venerations of the dancing mulata continue to circulate and participate in the volatile political and social economy of contemporary Cuba.

More books from Oxford University Press

Cover of the book What's Wrong with Homosexuality? by Melissa Blanco Borelli
Cover of the book Pride and Prejudice by Melissa Blanco Borelli
Cover of the book The City of the End of Things by Melissa Blanco Borelli
Cover of the book The Lessons of Rancière by Melissa Blanco Borelli
Cover of the book The Kingdom of God Has No Borders by Melissa Blanco Borelli
Cover of the book Paul Revere's Ride by Melissa Blanco Borelli
Cover of the book Handbook of Experimental Economic Methodology by Melissa Blanco Borelli
Cover of the book Exploring Inductive Risk by Melissa Blanco Borelli
Cover of the book Impurity and Sin in Ancient Judaism by Melissa Blanco Borelli
Cover of the book Digital Organization Tips for Music Teachers by Melissa Blanco Borelli
Cover of the book ADHD: Attention-Deficit Hyperactivity Disorder in Children, Adolescents, and Adults by Melissa Blanco Borelli
Cover of the book Heroes:What They Do and Why We Need Them by Melissa Blanco Borelli
Cover of the book Four Illusions by Melissa Blanco Borelli
Cover of the book Philosophical Papers by Melissa Blanco Borelli
Cover of the book The Papacy and the Orthodox by Melissa Blanco Borelli
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy