Shimmering Beast, The

Nonfiction, Art & Architecture, General Art, Individual Artist, Fiction & Literature, Essays & Letters, Essays
Cover of the book Shimmering Beast, The by Steve Reinke, Coach House Books
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Author: Steve Reinke ISBN: 9781770562882
Publisher: Coach House Books Publication: September 22, 2011
Imprint: Coach House Books Language: English
Author: Steve Reinke
ISBN: 9781770562882
Publisher: Coach House Books
Publication: September 22, 2011
Imprint: Coach House Books
Language: English

Steve Reinke is one of the most intriguing artists we've got; his scope is enormous, his imagination absolutely singular. His video art — The Hundred Videos, Anthology of American Folk Song, Anal Masturbation and Object Loss — practically define the genre.

Reinke tells us, in 'Kitchener–Berlin,' his appreciation of Philip Hoffman's film of that title, that experimental video is centred around voice — a decidedly peculiar and literary notion. It makes good sense, then, that this experimental video artist is also an accomplished prose writer.

Collected herein are Reinke's best recent prose pieces. Hybrids of criticism, fiction and personal essay, these pieces all engage — by pillaging, by honouring, by scrutinizing, by cannibalizing — an other's work: the films of Frank Cole, the videos of Emily Vey Duke and Cooper Battersby, the photos of Douglas Ischar, the writings of Dr. Paul Brouardel and the psycho­analysis of Melanie Klein, to name just a few.

Funny, absurd and tartly poignant, these texts document the process and reach of an artistic mind at the height of its powers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Steve Reinke is one of the most intriguing artists we've got; his scope is enormous, his imagination absolutely singular. His video art — The Hundred Videos, Anthology of American Folk Song, Anal Masturbation and Object Loss — practically define the genre.

Reinke tells us, in 'Kitchener–Berlin,' his appreciation of Philip Hoffman's film of that title, that experimental video is centred around voice — a decidedly peculiar and literary notion. It makes good sense, then, that this experimental video artist is also an accomplished prose writer.

Collected herein are Reinke's best recent prose pieces. Hybrids of criticism, fiction and personal essay, these pieces all engage — by pillaging, by honouring, by scrutinizing, by cannibalizing — an other's work: the films of Frank Cole, the videos of Emily Vey Duke and Cooper Battersby, the photos of Douglas Ischar, the writings of Dr. Paul Brouardel and the psycho­analysis of Melanie Klein, to name just a few.

Funny, absurd and tartly poignant, these texts document the process and reach of an artistic mind at the height of its powers.

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