Sight, Touch, and Imagination in Byzantium

Nonfiction, History, European General, Art & Architecture, General Art
Cover of the book Sight, Touch, and Imagination in Byzantium by Roland Betancourt, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Roland Betancourt ISBN: 9781108657273
Publisher: Cambridge University Press Publication: April 30, 2018
Imprint: Cambridge University Press Language: English
Author: Roland Betancourt
ISBN: 9781108657273
Publisher: Cambridge University Press
Publication: April 30, 2018
Imprint: Cambridge University Press
Language: English

Considering the interrelations between sight, touch, and imagination, this book surveys classical, late antique, and medieval theories of vision to elaborate on how various spheres of the Byzantine world categorized and comprehended sensation and perception. Revisiting scholarly assumptions about the tactility of sight in the Byzantine world, it demonstrates how the haptic language associated with vision referred to the cognitive actions of the viewer as they grasped sensory data in the mind in order to comprehend and produce working imaginations of objects for thought and memory. At stake is how the affordances and limitations of the senses came to delineate and cultivate the manner in which art and rhetoric was understood as mediating the realities they wished to convey. This would similarly come to contour how Byzantine religious culture could also go about accessing the sacred, the image serving as a site of desire for the mediated representation of the Divine.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Considering the interrelations between sight, touch, and imagination, this book surveys classical, late antique, and medieval theories of vision to elaborate on how various spheres of the Byzantine world categorized and comprehended sensation and perception. Revisiting scholarly assumptions about the tactility of sight in the Byzantine world, it demonstrates how the haptic language associated with vision referred to the cognitive actions of the viewer as they grasped sensory data in the mind in order to comprehend and produce working imaginations of objects for thought and memory. At stake is how the affordances and limitations of the senses came to delineate and cultivate the manner in which art and rhetoric was understood as mediating the realities they wished to convey. This would similarly come to contour how Byzantine religious culture could also go about accessing the sacred, the image serving as a site of desire for the mediated representation of the Divine.

More books from Cambridge University Press

Cover of the book A Soldier's Soldier by Roland Betancourt
Cover of the book The Life and Death of ACT UP/LA by Roland Betancourt
Cover of the book Ways with Words by Roland Betancourt
Cover of the book Polarons by Roland Betancourt
Cover of the book The Cambridge Companion to Sylvia Plath by Roland Betancourt
Cover of the book The European Union's Shaping of the International Legal Order by Roland Betancourt
Cover of the book A Philosophical Approach to Quantum Field Theory by Roland Betancourt
Cover of the book Heat Transfer Physics by Roland Betancourt
Cover of the book Core Topics in Thoracic Anesthesia by Roland Betancourt
Cover of the book Radiogenic Isotope Geology by Roland Betancourt
Cover of the book The Jewish Family by Roland Betancourt
Cover of the book Manual of Neurosonology by Roland Betancourt
Cover of the book The Cambridge Companion to Martin Luther by Roland Betancourt
Cover of the book Anglican Enlightenment by Roland Betancourt
Cover of the book Musculoskeletal Cytohistology by Roland Betancourt
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy