Singer-Songwriters and Musical Open Mics

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology
Cover of the book Singer-Songwriters and Musical Open Mics by Marcus Aldredge, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Marcus Aldredge ISBN: 9781317054900
Publisher: Taylor and Francis Publication: April 1, 2016
Imprint: Routledge Language: English
Author: Marcus Aldredge
ISBN: 9781317054900
Publisher: Taylor and Francis
Publication: April 1, 2016
Imprint: Routledge
Language: English

Singer-Songwriters and Musical Open Mics is an ethnographic exploration of New York City’s live music events where musicians signup and perform short sets. This sociological study dispels the common assumption that open mics are culturally monolithic and reserved for novice musicians. Open mics allow musicians at different locations within their musical development and career to interactively perform, practice, and network with other musicians. Important themes in the book include: the tension between self and society in the creative process, issues of creative authenticity and authorship, and on-going cultural changes central to the Do-It-Yourself cultural zeitgeist of the early 21st century. The open mic’s cultural antecedents include a radio format, folk hootenannies, and the jazz jam session. Drawing from multiple qualitative methods, Aldredge describes how open mics have etched a vital organizational place in the western and urban musical landscape. Open mics represent a creative place where the boundaries of practicing and performing seemingly blur. This allows for a range of social settings from more competitive, stratified, and homogenous music scenes to culturally diverse weekly events often stretching late into the night.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Singer-Songwriters and Musical Open Mics is an ethnographic exploration of New York City’s live music events where musicians signup and perform short sets. This sociological study dispels the common assumption that open mics are culturally monolithic and reserved for novice musicians. Open mics allow musicians at different locations within their musical development and career to interactively perform, practice, and network with other musicians. Important themes in the book include: the tension between self and society in the creative process, issues of creative authenticity and authorship, and on-going cultural changes central to the Do-It-Yourself cultural zeitgeist of the early 21st century. The open mic’s cultural antecedents include a radio format, folk hootenannies, and the jazz jam session. Drawing from multiple qualitative methods, Aldredge describes how open mics have etched a vital organizational place in the western and urban musical landscape. Open mics represent a creative place where the boundaries of practicing and performing seemingly blur. This allows for a range of social settings from more competitive, stratified, and homogenous music scenes to culturally diverse weekly events often stretching late into the night.

More books from Taylor and Francis

Cover of the book Transnational Financial Crime by Marcus Aldredge
Cover of the book Meeting the Standards in Primary Science by Marcus Aldredge
Cover of the book Knots: Selected Works of RD Laing: Vol 7 by Marcus Aldredge
Cover of the book Globalization of Criminal Justice by Marcus Aldredge
Cover of the book An Archaeology of Materials by Marcus Aldredge
Cover of the book The Orienting Response in Information Processing by Marcus Aldredge
Cover of the book Transforming Gender, Sex, and Place by Marcus Aldredge
Cover of the book Iran and Russian Imperialism by Marcus Aldredge
Cover of the book Guilty Money by Marcus Aldredge
Cover of the book Indians in Britain by Marcus Aldredge
Cover of the book HLM50+ Towards a Social Architecture by Marcus Aldredge
Cover of the book Popular Movements and Democratization in the Islamic World by Marcus Aldredge
Cover of the book The Journals of Captain James Cook on his Voyages of Discovery by Marcus Aldredge
Cover of the book Personality and Social Psychology at the Interface by Marcus Aldredge
Cover of the book Songs by Charles Gounod (1818-1893), Songs by Lo Delibes (1836-1891), Six Posies d'Armand Silvestre by Alexis de Castillon (1838-1873) by Marcus Aldredge
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy