Singing the Congregation

How Contemporary Worship Music Forms Evangelical Community

Nonfiction, Entertainment, Music, Theory & Criticism, Ethnomusicology, Music Styles, Religious, Religion & Spirituality, Christianity, Christian Life
Cover of the book Singing the Congregation by Monique M. Ingalls, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Monique M. Ingalls ISBN: 9780190499662
Publisher: Oxford University Press Publication: September 17, 2018
Imprint: Oxford University Press Language: English
Author: Monique M. Ingalls
ISBN: 9780190499662
Publisher: Oxford University Press
Publication: September 17, 2018
Imprint: Oxford University Press
Language: English

Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.

More books from Oxford University Press

Cover of the book Making Sense in the Social Sciences by Monique M. Ingalls
Cover of the book The Oxford Handbook of Health Psychology by Monique M. Ingalls
Cover of the book Oxford American Handbook of Clinical Diagnosis by Monique M. Ingalls
Cover of the book Gandhi - With Audio Level 4 Factfiles Oxford Bookworms Library by Monique M. Ingalls
Cover of the book Normative Subjects by Monique M. Ingalls
Cover of the book The Origins of Sex by Monique M. Ingalls
Cover of the book Bounded Rationality and Industrial Organization by Monique M. Ingalls
Cover of the book Mine Eyes Have Seen the Glory by Monique M. Ingalls
Cover of the book The Memoirs of Fray Servando Teresa de Mier by Monique M. Ingalls
Cover of the book Sherlock Holmes: Two Plays Level 1 Oxford Bookworms Library by Monique M. Ingalls
Cover of the book Tracking Medicine by Monique M. Ingalls
Cover of the book The Spirit's Tether by Monique M. Ingalls
Cover of the book Anxiety, Depression, and Emotion by Monique M. Ingalls
Cover of the book Understanding Vineyard Soils by Monique M. Ingalls
Cover of the book Advocate for Music! by Monique M. Ingalls
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy