Situating Opera

Period, Genre, Reception

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book Situating Opera by Herbert Lindenberger, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Herbert Lindenberger ISBN: 9780511851308
Publisher: Cambridge University Press Publication: October 28, 2010
Imprint: Cambridge University Press Language: English
Author: Herbert Lindenberger
ISBN: 9780511851308
Publisher: Cambridge University Press
Publication: October 28, 2010
Imprint: Cambridge University Press
Language: English

Setting opera within a variety of contexts - social, aesthetic, historical - Lindenberger illuminates a form that has persisted in recognizable shape for over four centuries. The study examines the social entanglements of opera, for example the relation of Mozart's Abduction from the Seraglio and Verdi's Il trovatore to its initial and later audiences. It shows how modernist opera rethought the nature of theatricality and often challenged its viewers by means of both musical and theatrical shock effects. Using recent experiments in neuroscience, the book demonstrates how different operatic forms developed at different periods to create new ways of exciting a public. Lindenberger considers selected moments of operatic history from Monteverdi's Orfeo to the present to study how the form has communicated with its diverse audiences. Of interest to scholars and operagoers alike, this book advocates and exemplifies opera studies as an active, emerging area of interdisciplinary study.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Setting opera within a variety of contexts - social, aesthetic, historical - Lindenberger illuminates a form that has persisted in recognizable shape for over four centuries. The study examines the social entanglements of opera, for example the relation of Mozart's Abduction from the Seraglio and Verdi's Il trovatore to its initial and later audiences. It shows how modernist opera rethought the nature of theatricality and often challenged its viewers by means of both musical and theatrical shock effects. Using recent experiments in neuroscience, the book demonstrates how different operatic forms developed at different periods to create new ways of exciting a public. Lindenberger considers selected moments of operatic history from Monteverdi's Orfeo to the present to study how the form has communicated with its diverse audiences. Of interest to scholars and operagoers alike, this book advocates and exemplifies opera studies as an active, emerging area of interdisciplinary study.

More books from Cambridge University Press

Cover of the book Erdős–Ko–Rado Theorems: Algebraic Approaches by Herbert Lindenberger
Cover of the book Zimbabwe's International Relations by Herbert Lindenberger
Cover of the book Justice and Diplomacy by Herbert Lindenberger
Cover of the book Music and Riddle Culture in the Renaissance by Herbert Lindenberger
Cover of the book Wargames by Herbert Lindenberger
Cover of the book Ecological Imperialism by Herbert Lindenberger
Cover of the book Roman Artisans and the Urban Economy by Herbert Lindenberger
Cover of the book Corporate Islam by Herbert Lindenberger
Cover of the book Paediatric Nursing in Australia by Herbert Lindenberger
Cover of the book Law and Language by Herbert Lindenberger
Cover of the book The Lives of Sumerian Sculpture by Herbert Lindenberger
Cover of the book The Politics of Property Rights Institutions in Africa by Herbert Lindenberger
Cover of the book Enumerative Combinatorics: Volume 1 by Herbert Lindenberger
Cover of the book Galaxy Formation and Evolution by Herbert Lindenberger
Cover of the book SAQs for the Final FRCA by Herbert Lindenberger
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy