Sondheim and Lapine's Into the Woods

Nonfiction, Entertainment, Theatre, Broadway & Musical Revue, Fiction & Literature, Drama, American
Cover of the book Sondheim and Lapine's Into the Woods by Olaf Jubin, Taylor and Francis
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Author: Olaf Jubin ISBN: 9781351967938
Publisher: Taylor and Francis Publication: August 15, 2017
Imprint: Routledge Language: English
Author: Olaf Jubin
ISBN: 9781351967938
Publisher: Taylor and Francis
Publication: August 15, 2017
Imprint: Routledge
Language: English

‘The Woods are just Trees. The Trees are just Wood.’ – All together

 

In 1987, Stephen Sondheim and James Lapine combined several classic fairy tales including Little Red Riding Hood, Cinderella, and Jack and the Beanstalk to create Into the Woods. Funny and heartfelt, this musical explores what it might mean to act responsibly in society, both as a parent and as a child.

Situating the work within Sondheim’s oeuvre and the Broadway canon, Olaf Jubin first offers a detailed reading of the show itself, before discussing key productions in New York and London, and 2014’s Oscar-nominated screen adaptation. The radically different approaches to staging Into the Woods are testament to how open the musical is to re-interpretation for new audiences.

A combination of critical explication with performance and film analysis, as well as an overview of popular and critical reception, this book is meant for anyone who has enjoyed Into the Woods, be it as a musical theatre fan, an enchanted audience member, a student or a dedicated theatre professional.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

‘The Woods are just Trees. The Trees are just Wood.’ – All together

 

In 1987, Stephen Sondheim and James Lapine combined several classic fairy tales including Little Red Riding Hood, Cinderella, and Jack and the Beanstalk to create Into the Woods. Funny and heartfelt, this musical explores what it might mean to act responsibly in society, both as a parent and as a child.

Situating the work within Sondheim’s oeuvre and the Broadway canon, Olaf Jubin first offers a detailed reading of the show itself, before discussing key productions in New York and London, and 2014’s Oscar-nominated screen adaptation. The radically different approaches to staging Into the Woods are testament to how open the musical is to re-interpretation for new audiences.

A combination of critical explication with performance and film analysis, as well as an overview of popular and critical reception, this book is meant for anyone who has enjoyed Into the Woods, be it as a musical theatre fan, an enchanted audience member, a student or a dedicated theatre professional.

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